论中国当代女性绘画中爱的体现-美术学专业论文.docxVIP

PAGE PAGE IV Abstract This thesis mainly sheds light on Chinese contemporary female paintings from five perspectives, such as the historical origin, connotation of love, formational causes of features, multiple formation and expressional gimmicks and developmental orientation to show its female consciousness and love embodiment. First of all, this thesis clarifies the evolutional process of Chinese female paintings by summarizing its historical origin and builds up the research perspective of the contemporary female painting and love manifestation, which sustains the discussion between the