论古筝演奏艺术中的气与韵-音乐学专业论文.docxVIP

AbstractStyle Abstract Style and charm pair of categories in Chinese national traditional aesthetics．In particular，they the problems in the Chinese traditional art theory．Chinese music attaches gteat importance to“style and charm“．“Style”is the internal power of musical beauty．while“charm”is the external manifestation of musical beauty．The“style”in the Chinese zither performance art refers to that of life and art．“Charm”refers to the“charm that may convey its spirit”．In the Chinese zither performance art，they not only display their respective characters， but also integral whole by cooperating with each other．A work is vivid because of its style and is beautiful because of its charm． The research and discussion Chinese national musical instrument performance art begins mostly from performance skill，and rarely from the perspective of aesthetics，especially Chiense zither，which has been researched and discussed by few people． The cultural tendency of Chinese zither art and the long Chinese cultural art tradition coming down in continuous 1ine，When the heavy and massive music pieces of western symphony troupe spring up at ears，what feel is their convuIsion and sensation，whi le when 1istening to the music of Chinese zither．we feel P1enty of quietness and peace from the charm brought by the rubbing．slipping and trembling of left hands．The music of Chinese zither is serene．gentle and profound，with long linering charm．What get is aesthetic feeling quite different from that get from Western music． In the music of Chinese zitber，the performer will vibrate simple monotone by chanting rubbing，making the people feel the of life．The tone of Chinese zither music is not left to disppear linearly after being played out．Instead．the aftersound is often treated deviously，This is feature of performance treatment for Chinese monotone melody music．In particular。the“charm”caused by the curved movement of monotone arising from the treatment of aftersound by the such techniques pressing，rubbi