论钱钟书创作的主体意识-中国现当代文学专业论文.docxVIP

I I 摘 要 摘 要 关于钱钟书创作的主体意识本文主要从三个方面论述：首先，主体意识不是生来就 有的，是在人成长的历程中或被动、或主动接触他人的思想成果和观点之后，进而形成 自己独特的思想意识。因此本文中钱钟书主体意识的形成与其接受的中国传统文化的熏 陶以及西方文化的影响息息相关，钱钟书个人的文化修养正是其主体意识形成的先决条 件。其次，结合时代背景来探索钱钟书的文学创作理念。可以说，文学创作是作者知识 文化的精神产物。钱钟书受中西文化的影响，把目光投射在自己所处的知识分子阶层， 并从主体性上去审视他笔下的知识分子的人格意识、自主意识、悲剧意识、道德意识等 等。本文从钱钟书创作的小说中所塑造的知识分子的主体意识为出发点，进一步展示人 类文化的价值观念以及知识分子阶层的人性弱点。最后，把钱钟书放在 20 世纪 30、40 年代的社会转型时期的政治背景下，与左翼作家、七月派作家在创作主体上进行比较， 以此来突出钱钟书创作的个性特点，这也是钱钟书创作的主体意识的展现。尽管钱钟书 的文学创作在表面上看似是远离政治，其实不然。钱钟书对知识分子的批判也是变相的 对社会文化的一种批判，同时我们透过作品看到钱钟书作为知识分子的人生忧患意识、 觉醒意识和社会批判意识。 关键词 钱钟书 主体意识 知识分子 II II Abstract Abstract The following thesis mainly copes with three aspects on the subjective consciousness of Qian Zhongshus creations：Firstly, the subjective consciousness comes about after contacting actively or passively with others ideas and notions rather than be born with ones birth, which afterwards forms his own unique ideology. Therefore in this thesis, Qian Zhongshus subjective consciousness has a close relationship to the influence of both Chinese traditional culture and Western culture, and Qian Zhongshus personal cultural accomplishment is the prerequisite factor. Secondly, I try to explore Qian Zhongshus literary creation concept according to the background of the times. As we know, literary creation is a spirit product of the authors knowledge and cultural structures. Influenced by Western cultures, Qian Zhongshu focuses on his contemporary intellectuals, and from the angle of subjectivity, he surveys his figures consciousness of personality, independence, tragedy, ethics and so on. Based on the subjective consciousness reflected on the intellectual characters in Qian Zhongshus works, my thesis is to further demonstrate the human cultural value and the concept of intellectuals humanity weakness. Finally, Qian Zhongshu was put in the political background in a social transition period in 1930s and 1940s, Qian Zhongshus creating features has emphasized when comparing the other authors such as the writers of th