卡西欧杯翻译竞赛历年赛题及答案.doc

第九届卡西欧杯翻译竞赛原文（英文组） 来自: FLAA(《外国文艺》) Means of Delivery Joshua Cohen Smuggling Afghan heroin or women from Odessa would have been more reprehensible, but more logical. You know you’re a fool when what you’re doing makes even the post office seem efficient. Everything I was packing into this unwieldy, 1980s-vintage suitcase was available online. I don’t mean that when I arrived in Berlin I could have ordered more Levi’s 510s for next-day delivery. I mean, I was packing books. Not just any books — these were all the same book, multiple copies. “Invalid Format: An Anthology of Triple Canopy, Volume 1” is published, yes, by Triple Canopy, an online magazine featuring essays, fiction, poetry and all variety of audio/visual culture, dedicated — click “About” — “to slowing down the Internet.” With their book, the first in a planned series, the editors certainly succeeded. They were slowing me down too, just fine. “Invalid Format” collects in print the magazine’s first four issues and retails, ideally, for $25. But the 60 copies I was couriering, in exchange for a couch and coffee-press access in Kreuzberg, would be given away. For free. Until lately the printed book changed more frequently, but less creatively, than any other medium. If you thought “The Quotable Ronald Reagan” was too expensive in hardcover, you could wait a year or less for the same content to go soft. E-books, which made their debut in the 1990s, cut costs even more for both consumer and producer, though as the Internet expanded those roles became confused. Self-published book properties began outnumbering, if not outselling, their trade equivalents by the mid-2000s, a situation further convoluted when the conglomerates started “publishing” “self-published books.” Last year, Penguin became the first major trade press to go vanity: its Book Country e-imprint will legitimize your “original genre fiction” for just under $100. These shifts make small, D.I.Y. collectives like Triple Canopy appear more tradi