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- 2019-11-09 发布于广东
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Michelangelo
strength ,beauty and sorrow
Throughout the Middle Ages, painters were considered skilled crafts workers on a level with goldsmiths, carpenters, and other tradespeople. By the mid–16th century, in contrast, Michelangelo could claim that “in Italy great princes as such are not held in honor or renown; it is a painter that they call divine.”
From anonymous crafts workers to divinely talented individuals more honored and renowned than princes—what had happened?
Renaissance humanists held that humankind was not worthless in the eyes of God, as the Church had taught during the Middle Ag
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