当代插画创作意蕴表达“逍遥游”——以道家庄子神话意境为例.pdfVIP

摘 要 新时代的来临带动了插画设计的飞速发展，如今插画不仅仅表现在书籍插 图，它广泛的应用于广告、包装、科技、新媒体等各个领域。从插画题材分类来 看，跨度极大，几乎各领域、各时代皆被涵盖，传统神话故事也屡见不鲜，而其 中上古神话多见于 《山海经》题材故事。本文着重取材于道家代表人物之—庄子 所著作描写的神话故事，尝试以当代插画语言表达方式进行创作可行性分析，并 由此展开本文的论述。因此本文对 《庄子》神话的资料进行整理和探究，在丰富 的文献资料和优秀案例的基础上，对比其他国家插画发展进行分析与探讨，致力 创作出具有本土特色和民族文化传承的插画作品。 本论文详细介绍了《庄子》神话和当代插画设计的理念、应用范围、设计的 多样性和国内外研究现状，并通过对当代插画设计发展所存在的问题进行研究和 思考，将其理论知识和优秀案例结合分析，探索出中国神话元素与当代插画形式 相结合的创作思路，甚或是理论知识框架的搭建。 再者，结合本专业所学的优势，尝试将 《庄子》神话的道家哲学思想用当代 插画的设计理念和审美趣味去创新表达，融入自己对 《庄子》故事的理解，在创 作中不断发现新的灵感，将传统民族文化注入新的创新理念，用插画的形式去展 现故事内容，期望创作出具有传统民族特色又能反映时代精神的作品。 关键词：插画设计；庄子神话；道文化；插画创作 I Abstract The advent ofthenew erahasledtotherapid development ofillustration design. Now illustration is not only reflected in book illustrations, it is widely used in advertising,packaging, technology,new media and other fields.From theperspective of the classification of the theme of illustration, it has a great span, almost all fields and ages are covered, and the traditional myth stories are common, among which the ancient myth ismostly seen in thetheme storiesof Shanhaijing.Thispaper focuseson themythological storiesdescribedby ChuangTzu,one oftherepresentative figuresof Taoism, and tries to analyze the creative feasibility by means of contemporary illustration language expression, from which to start the discussion of this paper. Therefore, based on the rich literature and excellent cases, this paper analyzes and discusses the development of illustration in other countries, and is committed to creatingillustrationworkswith local characteristicsandnationalculturalheritage. Thispaper introduces in detailthe concept, application scope, diversity of design and research status at home and abroad of Zhuangzi myth and contemporary illustration design, and through the research and thinking of the problems existing in the