舒曼《童年情景op.15》与库拉克《童年情景op.62》钢琴套曲演奏分析.pdfVIP

舒曼《童年情景 op.15》与库拉克《童年情景 op.62》钢琴 套曲演奏分析 中文摘要 《童年情景op.15》是罗伯特 ·舒曼最具代表性的钢琴套曲之一,由 13 首 带标题的小曲组成。舒曼因为与妻子不能在一起而感到苦闷,在回忆妻子的童年 生活时创作了这部作品，以此来表达对妻子的思念之情。同时期音乐家特奥尔 多 ·库拉克创作的钢琴套曲 《童年情景op.62》,则由 12 首带标题的小曲组 成。与舒曼不同的是:库拉克的作品主要站在孩子的角度,简单直观地表现了他 们玩耍嬉戏的情景。这两部钢琴套曲为同一时期的作品,且题材相同,但根据作 曲家个人的人生经历及创作手法的差别,其在特点及演奏方面存在着一定的差 异。 本文以两部同名钢琴套曲为研究对象。从各自创作背景及特点入手，结合演 奏实践,分别对触键、踏板、旋律线条处理、跳奏、装饰音等技巧的弹奏方法进 行了深入而细致的分析，梳理出两部作品在演奏中具体细节的处理与技巧的运用， 旨在为两部作品以后的演奏提供一些参考和借鉴依据。 关键词：舒曼，库拉克，钢琴套曲，《童年情景》，演奏分析 I THE PIANO DIVERTIMENTO PERFORMANCE ANALYSIS OF SCHUMANN’S “SCENES FROM CHILDHOOD OP.15” AND KULLAK’S “SCENES FROM CHILDHOOD OP.62” Abstract “Scenes from Childhood op.15” is one of Robert Schumanns most representative piano suites, which is consisted of 13 subtitled music. The work mainly expressed that Robert Schumann, as an adult , suffered from the sadness and torment of not being able to be together with his lover, and deeply recalled the childhood life of her. In the same period, the piano suite named “Scenes from Childhood op.62” created by musician Theodor Kullak is composed of 12 subtitled music. Different from Schumann, Kullak s works mainly stood in the perspective of children, and simply and intuitively expressed their playing scenes and sights. Although the two piano suites are works of the same period and have the same theme, according to the composers completely different personal life experience and creative technique, there are certain and obvious differences in lots of aspect, especially in characteristics and performance. This article takes two piano suites with the same name as the research object, respe