艾伯特·凯特尔贝（Albert Ketelbey）《在中国寺庙的花园里—东方幻想曲》演奏分析.pdfVIP

摘要 摘 要 “东方情调”一直深受西方作曲家的追捧与青睐，随着东西方文化交流的不断加强， 这类作品也不断问世。英国作曲家艾伯特•凯特尔贝借助其作品 《在中国寺庙的花园里— —东方幻想曲》，表达出自己对东方世界的想象以及对中国音乐文化的理解，创作出管弦 乐和钢琴曲两个版本。 本文以钢琴版本的 《在中国寺庙的花园里——东方幻想曲》为研究对象，以音乐文本 的理论考察，结合演奏技巧的实践分析，意在通过更加深入解读这部 “中国风”的西方钢 琴作品，从技术层面，使演奏者能够准确地掌握中国五声音阶和西方现代作曲技法融合在 钢琴上的演奏，深刻认识其作品中技巧性与艺术性的结合；从艺术层面，探索这部作品的 创作理念及其钢琴音乐中所体现的中西方文化交流的音乐语汇，在他者表达中国元素的音 乐研究上提供自己的学术见解，使论文兼具一定的实践意义及理论价值。 关键词：艾伯特 ·凯特尔贝 （Albert Ketelbey）， 《在中国寺庙的花园里——东方幻想曲》， 音乐分析，演奏分析 I Abstract Abstract Oriental sentiment has always been sought after and favored by western composers. With the continuous strengthening of cultural exchanges between the East and the West, this kind of works continue to come out. With the help of his work in the Garden of Chinese Temple-Oriental Fantasia, British composer Albert Caterbe expresses his imagination of the oriental world and hisunderstanding of Chinese music culture. Create two versions of orchestra andpianomusic. This paper takes the piano version of in the Garden of Chinese Temple-Oriental Fantasia as the research object, takes the theoretical investigation of the music text, unifies the practice analysis of the playing skill. The purpose of this paper is to interpret this western piano work with Chinese style more deeply, so that the performer can accurately master the performance of the Chinese five-tone scale andthewestern modern composition technique on thepiano from the technical point of view. Deeply understand the combination of skill and artistry in his works; From the artistic point of view, this paper explores the creative concept of this work and the musical vocabulary of cultural exchange between China and theWest embodied in piano music, so as to provide the music research on the expression of Chinese