中国当代声乐艺术新探索 ——龚琳娜声乐艺术特点分析.pdfVIP

摘 要 十八大以来，习近平总书记多次提到要建设文化自信，要弘扬本民族文化。我国的民族 声乐在此背景下也获得了迅猛发展，开始呈现出百花齐放百家争鸣的姿态，龚琳娜就是其中 的先行者，并且其主导的中国新艺术音乐广泛的受到了听众的喜爱。 本文第一章试图对龚琳娜新的声乐艺术风格形成的背景因素和内驱动力进行剖析，系统 地整理和论述了龚琳娜的声乐艺术生涯及心路历程。第二章对龚琳娜新的声乐艺术风格形成 的技术性基础进行剖析，主要对其早期声乐演唱功底分析和论述。第三章对龚琳娜新的声乐 艺术风格本身进行分析和论述，并进行总结。通过前三章的分析和论述，主要做出以下结论： 第一，龚琳娜在其声乐演唱风格方面的创新并非突发奇想，而是与她的声乐艺术生涯有着极 其密切的关系，是一种必然。第二，龚琳娜在声乐演唱风格方面的创新是有着扎实的声乐演 唱基本功作为基础的。第三，龚琳娜在其声乐演唱风格方面的创新主要体现在发声技巧、歌 唱语言、情感力度控制等三个方面。主导这些创新的思想是对声乐艺术要追求自由、自然、 多元、民族、世界的审美观念。第四章是笔者通过对龚琳娜在声乐艺术方面创新的研究获得 相关结论后，对当下我国声乐的发展做出的一些启发性思路，能够对我国声乐的新发展献出 自己的微薄之力。 关键词：龚琳娜，声乐艺术，民族声乐，演唱风格，多元 Ⅰ Abstract After the 18th National Congress, General Secretary Xi Jinping mentioned the need to build a cultural self-confidence repeatedly and to promote our national culture. The national vocal music in our country has also achieved rapid development in this context, beginning to present a gesture of contending with hundreds of flowers, Gong Linna is one of the pioneers, and its dominant Chinese new art music has been widely loved by the audience. The first chapter of this article attempts to analyze the background factors and internal driving forces of Gong Linna ’s new vocal art style, arranged and discussed Gong Linnas career in vocal music and his mental history Systematically . The second chapter analyzes the technical basis of Gong Linnas new vocal artistic style, and mainly analyzes and discusses her early vocal singing skills. The third chapter analyzes and discusses Gong Linnas new vocal art style itself and summarizes it. Through the analysis and discussion of the first three chapters, the following conclusions have been made:Firstly, Gong Linnas innovation in her