试论胶州秧歌“丁字拧步”与“提_拧步“的动作特点 舞蹈学专业.doc

PAGE PAGE 3 目 录 TOC \o 1-3 \h \u 17433 摘 要································· 1 10506 关键词································· 1 360 引言·································· 3 22257 1 胶州秧歌的文化及风格艺术特征······················ 3 7647 1.1胶州秧歌的文化特征························ 3 2087 1.2 胶州秧歌中的风格艺术特性······················ 3 2822 2 胶州秧歌“正丁字拧步”和“提拧步”的动作特点············· 4 116 2.1 胶州秧歌“正丁字拧步”的动作特点················ 4 7289 2.1.1 “正丁字拧步”的动作原理······················ 4 12331 2.1.2 “正丁字拧步”的风格特点······················ 4 26560 2.2 胶州秧歌“提拧步”的动作特点·················· 5 11059 2.2.1 “提拧步”的动作原理······················· 5 7099 2.2.2 “提拧步”的风格特点······················· 5 27951 3胶州秧歌“正丁字拧步”和“提拧步”的运用特点············· 5 21660 3.1与舞蹈人物形象的配合························ 5 31781 3.2与身体姿态的配合·························· 6 22665 3.3与舞蹈情节的配合·························· 6 17681 4 胶州秧歌“正丁字拧步”和“提拧步”的重要性············· 6 19025 4.1有利于突出胶州秧歌的柔美特点··················· 6 10813 4.2有利于突出胶州秧歌的含蓄特点··················· 7 2786 4.3有利于突出胶州秧歌的内在文化特色················· 7 14696 参考文献······························· 8 1892 致谢································· 9 试论胶州秧歌“丁字拧步”与“提拧步”的动作特点 摘 要：我国山东省具有非常丰富的民间舞蹈资源，特别是以胶州秧歌，海洋秧歌以及鼓子秧歌为代表的民间舞蹈。其中胶州秧歌有着非常独特的风格特点、精湛的舞蹈技巧，优美的舞姿成为我国秧歌艺术中的佼佼者。胶州秧歌经历了几百年的发展历史到今天也一直受到我国人民群众的喜爱。胶州秧歌不仅是一种秧歌形式，同时也是一种舞蹈种类。交流秧歌中最具特点的就是以女性为主的舞蹈动作，舞蹈动作的风格以柔美为主，因此通过舞蹈所展现出来的是一种更加顺畅柔韧的舞蹈特点，其中“丁字拧步”与“提拧步”两种舞蹈步伐也具有非常独特的艺术特点。是一种既带有表演性具有娱乐性的舞蹈种类，成为我国民间舞蹈中最具民族特点的舞蹈之一，本文就针对胶州秧歌中的“丁字拧步”以及“提拧步”的动作特点进行分析和论述，目的在于对这两种步伐有着更加深刻的理解。 关键词：胶州秧歌；丁字拧步；提拧步 On the movement characteristics of Jiaozhou Yangkos T-shaped twisting step and lifting twisting step Abstract:in Shandong Province, folk dance is rich and colorful. Jiaozhou Yangge, Haiyang Yangge and GuZi Yangge are the three major Yangko in Shandong Province. Jiaozhou Yangko, with its unique style and exquisite skills, stands in the beautiful Han folk dance garden. For hundreds of years, it has been passed down from generation to generation, and it has been loved by t