论徐渭戏剧作品中的佛教思想.pdfVIP

摘 要 徐渭（１５２１－１５９３），被誉为明代的“三才子”之一，不仅在文章杂剧方面取得了巨大的成就， 还在诗词、书法，画画方面取得了不朽的成就。徐渭的戏剧作品历来是人们对徐渭研究的重点，但对其进 行的研究大多是围绕徐渭的自生经历所造成的现实意义和较为突出的庄学思想，例如《狂鼓史渔阳三弄》 大部分研究意义还是基于徐渭对严嵩等人的讥讽，本文则着重于对《四声猿》和《歌代啸》中的佛学思想 进行研究，从徐渭生活的晚明的佛学变化为切入点，进而探讨佛学思想对徐渭思想的影响，继而理解徐渭 自身对佛学的思考，从而得出《四声猿》和《歌代啸》中所体现的具有晚明特色的和具有徐渭本人特色的 佛学思想，晚明佛学在发展上已大大不如明初的繁盛，佛教开始走向衰落，为了振新佛学，佛学大师开始 对佛学进行改良与心学融合，更重视人之性情，更为士人接受，徐渭在这种风气之下，与心学的继承人季 本、王畿和各种佛教禅师的交往使得他在思想上受到了佛学的影响，并且开始对佛学有了新的认识，从而 发展出他的崇尚本真的创作原则，重性厚情的创作理想，这些思想在《四声猿》和《歌代啸》中得到充分 的体现，由此可以看出，徐渭的戏剧作品不是对佛教的宣扬，而是从佛学中汲取了求真重情的思想，从而 对大众进行呼唤，已期盼一个真实性情的社会。 关键词：徐渭；《四声猿》；《歌代啸》； 崇尚本真；重性厚情 Abstract Xu Wei (1521 - 1593) ， Ivy Taoist immortal Shu Tianchi hermit sleeve snake and two desert birds. He was one of the three talents of the Ming Dynasty， and was also an ancient Chinese artist who had made great achievements in poetry ， literature ， book and painting. The works of Xu Wei four apes has always been the focus of the study of Xu Wei， but the research on the most realistic experience caused by the self around Xu Wei and a more prominent Zhuangzi thought ， such as San Nong history of violent drum Yuyang most research significance is based on Xu Wei et al to Yansong satire this paper focuses on the thoughts of four apes of Buddhism ， from the change of Xu Weis life in late Ming Dynasty as the starting point， and then discuss the influence of Buddhism on Xu Weis thought and understanding of Buddhism in Xu Weis ， from that reflected in four apes ， in order to new Buddhism， Buddhist master of Buddhism ， people pay more attention to the temperament ， more scholars to accept Xu Wei， in this atmosphere ， this Wang Ji and Jackson various Buddhist exchanges and his successors made him season in thought by the influence of Buddhism ， and began to have a new understanding of Buddhism ， in order to develop the creation the principle of his advocating true ， of love creation ideal ， these thoughts are fully reflected in the works of four apes ， thus it can be seen that X