银幕英雄形象的中西对比与演变——以吴宇森英雄电影为例的中期报告.docxVIP

银幕英雄形象的中西对比与演变——以吴宇森英雄电影为例的中期报告 摘要： 银幕英雄形象是电影中重要的符号之一，它反映出了不同文化背景下的价值观、观众需求和影片制作技术。本报告选取了中国导演吴宇森的英雄电影作为研究对象，分析了其在银幕英雄形象的塑造中的贡献与影响。在中西文化的对比分析中，我们发现，虽然中西方文化在英雄形象的表现方式和坚持的价值观有所不同，但两者在影片制作技术上的进步却有相似之处。吴宇森的电影作品中，银幕英雄的形象不断演化和升华，从以往的英雄形象转化为更加符合观众需求和价值观的新英雄形象。 关键词：银幕英雄形象；中西文化对比分析；吴宇森；新英雄形象 Abstract： The screen hero image is one of the important symbols of the film, which reflects the values, audience needs, and film production techniques under different cultural backgrounds. This report selects the hero movies of Chinese director John Woo as the research object and analyzes its contribution and influence in shaping the screen hero image. In the comparative analysis of Chinese and Western cultures, we found that although the expression of hero image and values ??adhered to in Chinese and Western cultures are different, the progress of film production techniques in both is also similar. In the films of John Woo, the image of the screen hero continues to evolve and sublimate, transforming from the previous hero image to a new hero image that is more in line with audience needs and values. Key words: screen hero image; comparative analysis of Chinese and Western cultures; John Woo; new hero image