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汉川善书与汉川节令和民俗的联系及其意义的论文
文化研究论文
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【内容摘要】汉川善书是盛行于湖北省汉川市及其周边地区的一种地方性曲艺品种。因其主流思想健康积极、故事性强、情节生动、讲唱并美而在当地拥有广泛深厚的群众基础。与黄陂花鼓、阳逻高跷一起被人们誉为“湖北三盛”。其艺术特点和风格可以概括为十个字:正派、雅致、动听、感人、完整。2006年,汉川善书以其宝贵的历史价值、丰富的人文内涵、独特的艺术魅力而被国务院列入首批国家级非物质文化遗产保护名录。
汉川善书的自身特质使其作为一种独特的曲艺艺术存在的同时,也与汉川当地的传统节令和风俗有着较为密切的联系,并由此产生了积极的现实意义。本文在介绍汉川善书的历史渊源以及故事文本和表演特点的基础上,详细论述了汉川善书与当地节令和民俗有着密切联系的具体表现,并试图揭示这些联系所产生的积极的现实意义。
??????【关?键?词】汉川善书??故事文本??表演形式??岁时节日??地方民俗
目????录
前言··········································································1
1汉川善书的故事文本和表演特点·················································2
1.1汉川善书的故事文本·······················································2
1.1.1题材类型···························································2
1.1.2思想内容···························································2
1.1.3结构框架···························································3
1.2汉川善书的表演特点·······················································3
2汉川善书与当地节令和民俗的联系及其表现·······································5
2.1汉川善书与当地节令的联系及其表现·········································5
2.1.1春节善书···························································5
2.1.2清明节善书·························································6
2.1.3中元节善书·························································7
2.2汉川善书与当地民俗的联系及其表现·········································8
2.2.1庆祝小孩出生的善书·················································8
2.2.2悼念老人去世的善书················································10
3?汉川善书结合当地节令和民俗的积极现实意义···································12
3.1二者结合以后产生了寓教于乐的良好社会效果································12
3.2节令民俗得以保存其鲜活生动的珍贵生命活体································13
3.3汉川善书借之获得了极为广阔的传承发展空间································14
结语·········································································15
注释·········································································16
参考文献·····································································16
前????言
善书是劝人们为善去不善之书,最初是宗教徒通过讲述与佛教、道教有关的故事而宣传其教义,对世人进
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