新世纪（修订版）新编英国文学选读 PPT课件（试用版）第10单元8.20.pptxVIP

19thCenturyFemaleNovelistsWelcometoajourneythroughtheworldof19thcenturyfemalenovelistswhochallengedpatriarchalnormsandreshapedliterarytraditions.ThispresentationexplorestheworksofJaneAusten,CharlotteBront?,ElizabethGaskell,andGeorgeEliot—pioneeringwomenwhocreatedenduringclassicswhilenavigatingtheconstraintsoftheirera.

ReclaimingtheLiteraryCanonForcenturies,theWesternliterarycanonwasdominatedbymaleauthors.However,twogroundbreakingscholarlyworkssoughttochallengethisimbalance:ElaineShowalter’sALiteratureofTheirOwn:BritishWomenNovelistsfromBront?toLessing(1977)DaleSpender’sMotheroftheNovel:100GoodWomenNovelistsbeforeJaneAusten(1986)Theseworksnotonlyaimedto“rebuildtheclassics”butalsoquestionedandchallengedpatriarchy,bringingattentiontopreviouslyoverlookedfemaleliterarycontributions.Thefournovelistswe’llexplore—CharlotteBront?,JaneAusten,ElizabethGaskell,andGeorgeEliot—representthe“classicsamongclassics”of19thcenturywomensliterature.

ThemesandSocialContextMiddleClassPerspectivesThesenovelsrevealthedeeplyrootedpatriarchalconsciousnessof19thcenturyEngland,illuminatingthediscriminationandobjectificationwomenfacedwhileproposingpotentialsolutions.FeministConsciousnessThenovelsfunctionedas“marriageguidancemanuals”withimportantenlighteningsignificanceforfemalereadersofthetime,fosteringasenseofcommunitybetweenfemaleauthorsas“enlighteners”andfemalereadersas“theenlightened”.TheNewWomanThegenderissuesreflectedinthesenovelsremainrelevanttoday,demonstratingtheauthors’foresightandthe“modernity”oftheirworks,whichcanbeinterpretedthroughfeministcriticism.Thesefeministcriticalapproachesincorporatedelementsfromformalism,semiotics,post-structuralism,andpost-colonialism,formingdistinctivecharacteristicsthatrepresentimportantcontentin20thcent