高海拔的力量——中国藏民族题材油画创作研究.pdfVIP

摘要 论文题目：高海拔的力量 ——中国藏民族题材油画创作研究 专 业：美术学 博 士 生：牛 乐 指导教师：王胜利 摘 要 在中国近现代美术史上，表现藏民族、藏区、藏文化的油画创作以超越了 题材范畴的文化力量脱颖而出，以其独特的文化意蕴和美学追求成为新中国美 术创作成果的重要组成部分。 藏区题材油画的创作史，从一个侧面反映出近现代中国美术创作发展的真 实历程，而藏区题材油画创作所表现出的雄阔之美、恢弘之气以及创作过程中 艺术家们不畏艰险的探索精神一扫中国美术创作中日渐萎靡的文人话语和闭 门造车的创作方式，成为新中国美术反思与进步的重要实践。 藏区题材油画创作直面中国美术发展的真实需求，用刚健有力的精神追求 充实了中国美术转型时期所欠缺的精神内涵，提升了中国当代美术创作的精神 力度，并且用丰富的创作成果演绎出了具有纯正中国之美的油画语言，成为油 画艺术中国气派的重要体现。 作为时代精神的体现，藏区题材油画创作的主流始终以人的精神面貌与时 代特征作为关注点，表现了对中华民族多元一体格局的认同、对民族审美精神 的崇尚、对艺术创作真善美的追求，不仅客观的反映了藏区社会和藏族人民精 神风貌的变迁，也成为新中国社会进步和民族进步的真实写照。 关键词：藏民族；中国油画；民族性；时代精神； I 摘要 Abstract The artistic oil -painting creation of the Tibetan people, area and culture is an outstanding kind of culture force beyond the categories of subject in modern art history of China. With its unique cultural connotati on and aesthetic pursuit, it becomes an important part of art -creations in China. The creation -history of the Tibetan theme reflects the real creation-experience of the artistic development of China. Meanwhile, not only had the magnificent beauty and the greatness it had shown delighted up the trend to a higher level, but also the spirit of exploring and braveness the painters shown had greatly improved the means to create. Such experience has been consulted to the promotion of the art in China. The oil-painting creation of the Tibetan theme has not only met the real needs of the artistic development but also embodied the connotation which was in the great lack in the transitional period of Chinese art. What’s more, it enhanced spiritual level of modern Chinese art. Since the fruitful