论哈内克影像中的暴力表达与戏剧张力论文.docVIP

天 津 师 范 大 学 本科毕业论文（设计） 题目：论哈内克影像中的暴力表达与戏剧张力 学 院：音乐与影视学院 学生姓名：甘玉龙 学 号专 业：戏剧影视文学 年 级：07戏文1班 完成日期：2011-5-19 指导教师：张鹏 论哈内克影像中的暴力表达与戏剧张力 摘要：奥地利导演迈克尔???哈内克擅于将极具个性的暴力表达统摄于充满戏剧张力的剧作设计之中。其暴力表达内涵丰富异彩纷呈，坦率而直接，对动物的暴力与对人的暴力相互关照并对应成癖，又将暴力的源头引向媒体的无良引诱、宗教的信仰教唆、以及文明转型期间文明与文明之间的系际冲突与文明自身内部的代际冲突。迈克尔? 哈内克在营造戏剧张力方面着力于结构设计，其结构往往似无意而有意，严丝合缝步步为营，循序渐进高潮如期而至又消弭于意味深长的无形无迹。他在自己的电影中肆无忌惮的让暴力去繁殖暴力、让事实去对抗现实、让本能去禁锢本能，观者在集心绞痛、无望沮丧而又叹为观止的状态中，完成对主体自我、对客体存在的思考和反省。 关键词：迈克尔哈内克 暴力表达 戏剧张力 媒体 宗教 冲突 结构 反省 Images of Violence in Haneke Expression And Dramatic Tension Abstract : Austrian director Michael Haneke will be very good at unifying the expression of personal violence is full of dramatic tension in the play design. Violent expression of their colorful rich in content, frank and direct violence against animals and violence against people with each other and correspond to addiction care, turn toward the source of violence, luring unscrupulous media, religious beliefs abetting, and the transition period of civilization Line between civilization and culture and civilization interpersonal conflicts within its own inter-generational conflict. Michael Haneke to create dramatic tension in terms of focus on structural design, the structure often seems unintentional and intentional, they match exactly at every step, step by step and eliminate the meaningful climax happened as invisible without a trace. In his own film to the propagation of wanton violence to violence, let the facts go against the reality and allow instinct to imprisonment instinct, the audience in the set of angina, hopeless state of depression but amazing to complete the subject of self, of object Theres thought and reflection. Key words : Michael Haneke, Expression of violence, Dramatic tension, Media, Religion, Conflict, Structure, Reflect. 目录 1.0 暴力表达的内容……………………………………………………………………………….（1） 1.2 屠杀动物………………………………………………………………………………………（2） 1.3 媒体无良………………………………………………………………………………………（3） 1.4 宗教遗患……………………………………………………………………………………..（6