沉醉不知归路----论李碧华长篇小说的悲剧性.pdfVIP

中 文 摘 要 李碧华通常被称为言情小说家，事实上她的思考并不局限于爱情，而是涉及 哲学、美学、历史等诸多层面。本文以李碧华长篇小说创作及其小说改编为对象， 从美学角度入手，结合香港社会背景，对作品的悲剧性精神、悲剧的审美情境及 其悲剧结尾所暴露出的问题作研究和讨论。 全文由六个部分组成，第一部分为绪论，主体部分由中间四章构成，最后部 分为结语。各部分重点论述内容如下： 绪论将美学悲剧性与现实悲剧、悲观主义、戏剧中的悲剧等一系列相似的概 念作辨别，在此基础上提出悲剧性的美学内涵和表现对象。 第一章着重分析论述小说中的悲剧性精神。主要分析命运悲剧和多种因素交 织的悲剧这两种类型。 第二章分析悲剧的审美情境。依次研究小说的超自然气氛、黄昏意象、色彩 世界这三种方式如何加强和深化小说的悲剧性主题。 第三章探讨悲剧的结尾，指出坠入现实、走向虚无与回归自然这三种倾向在 不同程度上影响和伤害了小说的悲剧性主题。 第四章对小说的电影改编进行研究。在考察多部电影的基础上，研究李碧华 长篇小说悲剧性的演绎与延伸。 结语在总结前四章的基础上，驳斥人们对李碧华小说的偏见，肯定她独特的 文学追求和创新的努力，同时指出她创作的局限性和应当进一步加强的地方。 关键词：李碧华 长篇小说 悲剧性 审美情境 小说改编 5 ABSTRACT Usually Li Bihua is entitled “love novelist”. As a matter of fact, she doesn’t limit herself to the description of love. Many fields are covered in her novels, such as philosophy, aesthetics, history and so on, besides love. This thesis takes river novel written by Li Bihua and its filmizing as object, uses esthetics theory to discuss tragic spirit, artistic conception of tragedy and points out some problems on tragedy epilogue. And the social background of Hong Kong is taken into consideration. This thesis consists of six parts. First part is introduction. The first, second, third and fourth chapter constitute the main parts. And the rest is conclusion. The key content in each chapter is as follows: The introduction tries to discriminate tragedy on esthetics theory from some similar conceptions such as disaster, pessimism and tragedy as a drama. The first chapter analyzes the spirit of tragedy. And this part is composed of two sections, destiny tragedy and tragedy resulting of different reasons. The second chapter analyzes artistic conception of tragedy. Supernatural atmosphere, dusk imago and colo