中国古典戏曲的悲剧性研究.pdfVIP

Abstract Sorrowful feeling and bitter mood is the most important style of the tragic expression of Chinese traditional opera,but there is a trend that creat the tragic circumstance become more and more distinct in the course of the literatization.The development and evolution signifies the extent to which the tragic conscionsness has matured in traditional opera literature. Happy ending is the main plot pattern of traditional opera ,which as a sign that the tragic conscioness is very weak in Chinese culture.In fa ct,between the late Ming Dynasty and the early Qing Dyna sty ,the style of traditional opera come forth to tragedy_oriented,pessimism become the main aestheticstyle. There are greatly difference in words type ,structural pattern and exchan geable stystem between Chinese traditional opera and Western drama,that affects the aesthetic style of traditional tragic opera . Tragedy idea of Chinese traditional opera has gone through three development pha ses.Theory of Yuanpu and bitter mood is the foundati on. Zhuo Ren-yue and Jin Sheng-tan’pessimic aesthetic taste replenished important essential factors .Wang Guo-wei’tragedy thoughts did have things in common with the tragedy literary ideas between the late Ming Dy nasty and the early Qing Dynasty,his thoughts signfise the perfection of traditional tragedy idea. keywords: Traditional opera the tragic