基于空间·序列·整合--艺兰斋美术馆导视系统设计研究.pdfVIP

摘要 摘要 “空间.序列.整合”是依据艺兰斋美术馆导视系统设计案例中，如何认知和高效使用空间的问题 而展开的对建筑空间导视系统设计的理论探讨。这个词组可分为两个层面解读：一层是纵向的功能 性整合，即导视系统对空间本身序列的表达整合；另一层是横向的形象整合，即导向设计本体风格 与环境风格的整合，以及导向本体中文字、图形、符号等元素的形象整合。空间本身具有一定的导 向功能，并不完全依赖于标识来弥补导向迷失的问题，但视觉导向系统在诠释空间功能的同时,也是 去诠释空间的文化氛围和环境形象，它在完成其功能需要的同时，更多地完成诠释文化意义上的信 息，这在诸多导向系统设计中是被完全忽视的。 本文依据对艺兰斋美术馆导向系统的实践性设计研究，试图总结出决定导向设计系统成功与否 的一些关键因素，在为艺兰斋美术馆提供一套合适并高效的导向系统设计方案的同时，展现笔者面 临的一些问题及相应的一些解决方法，以求得在导向系统设计认识上的一些进步。 关键词：导向设计、空间序列、整合 、艺兰斋美术馆。 I 南京艺术学院硕士学位论文 Abstract “Space. Sequence. Integration” is the theory discussion of space-oriented system design, its based on how to cognitive and efficient use of space in Yi-lan Zhai Art Museum oriented system design case. This phrase have two levels interpretations: One is Longitudinal functional integration, that means integration of optimization and space sequence expression;Another, horizontal Form integration, that means integration of Oriented design body style with the established environment, as well as Times re-integrationv of text, graphics, symbols ect in the oriented design body. Space design itself should have guiding function, Rather than relying on identification attached to the architecture to remedy the lost. To interpretate spatial function,Oriented system is also an important part of the culture atmosphere and environment image. This article is based on the oriented system design case of Yi-lan Zhai Art Museum, Attempts to summarize the key determined success or failure factors in the oriented design system, Also provides an appropriate and efficient oriented system solutions for Yi-lan Zhai Art Museum. Keywords: Sign design、Space、Sequence 、Integration 、Yilanzhai art Museum.