试论唐岱绘画成就.pdfVIP

题目:论唐岱绘画成就 [摘要] 清代山水画,发展至“清初六家”，可以说达到顶峰。他们继明代董其昌之后恢复古 风，领导画坛，当时被视为山水画“正统”。唐岱作为王原祁弟子，又与其师先后供 奉内廷，历经康熙、雍正、乾隆三朝，作品深受三代帝王推崇。可以说，唐岱代表 了清代“正统”山水画的一脉，并且是宫廷画师这个特殊群体的代表性人物。但对 于其生平、作品及其画论著作《绘事发微》，缺乏翔实的专著来予以考证和分析。 文章将分三个部分：由“画画人”唐岱的身份、背景、职业生涯发展等基本资 料入手进行调查，尽力还原唐岱作为宫廷画师的真实形象；以乾隆皇帝所编《石渠 宝笈》为基准，结合古籍、清史档案等资料的记载，将唐岱的绘画作品进行统计、 分类、整理；通过对唐岱生平的了解和作品的分析来理解其绘画理论《绘事发微》 的精髓。从而对清代“正统”山水画的内涵有所把握；对唐岱其人其画有所理解； 对其绘画论著《绘事发微》的精髓有所获得。力求还原一个真实、立体的宫廷画师 的形象，展示其绘画技法和绘画理论的成就。 [关键词] 唐岱 乾隆 石渠宝笈 宫廷画家 画院 《绘事发微》 Tang Dai ’s Painting Achievement Qu Ning Art Theory Directed by: Professor Wang Zhende Abstract: Chinese landscape painting in Qing Dynasty reached its peak during “six artists in early Qing Dynasty”. They renew ancient style and lead in painting field. Moreover they are viewed as classic for Chinese landscape painting. Tang Dai is a student of Wang Yuanqi. Both them contributed to court for emperor Yongzheng, Kangxi and Qianlong. His works are praised highly by three emperors. Tang Dai is representative of the classical Chinese landscape painting in Qing dynasty. Moreover, he is a representation of court painter. Few people analyze and research his life, works and painting theory 《Hui Shi Fa Wei》。 The article consists of three parts. I. Try to show his real image as a court painter through investigation on his identity, background and career. II. Sum up, classify and put his products to order on the basis of 《Shi Qu Bao Ji》 edited by emperor Qianlong and ancient file of Qing Dynasty history. III. Understand essence of his painting theory 《Hui Shi Fa Wei》on the basis of knowledge of his life and analysis of his products. The purpose of the thesis: