论后现代主义艺术艺术观.pdfVIP

论后现代主义艺术的艺术观 摘 要 后现代主义自诞生以来，以其表现出对现代主义的不同寻常 的逆转和撕裂，成为当代一种世界性的文化思潮。后现代主义艺 术对现代人的生活产生了强烈影响,研究后现代主义艺术成为当代 文化研究的一项重要特征。本论文针对后现代主义艺术所表现出 来的现象进行分析，揭示了后现代主义艺术家的“非艺术”和“反 秩序”精神，以及后现代主义艺术创作“怎么都行”，艺术存在于 生活的观点。 后现代主义是一场文化革命，它以反文化的激进方式，使人 们对旧事物产生厌倦。后现代主义艺术的“反艺术”观点的本义, 就是要反对艺术是独立于生活之外的精神产品的传统观念，后现 代主义对艺术观的认识是革命性的。 论文分析了后现代主义艺术产生的社会文化背景、特征和发 展格局。列举了后现代主义艺术的代表人物的艺术行为和观点， 并在对个别艺术家的行为审视的基础上，进而剖析后现代主义的 艺术观，分析后现代主义艺术所展现出来的艺术现象和外观形式， 提出了解后现代主义文化的重要性，并强调后现代主义文化中对 “艺术”的别样理解的重要意义。 关键词：后现代主义； 反艺术； 多元化； 艺术观 On Artistic Views of Post-modern Art Abstract Post-modernism has become a contemporary worldwide culture thought since its birth, which is characterized as reversing and disconstructing modernism. Pose-modernism art has exerted great effects on contemporary life, and it is thus one of the focuses of contemporary cultural studies. The thesis attempts to analyze the artistic phenomena produced by post-modernism, in order to explore the spirits of post-modern artistic—“non-art” and “abnormality”, and their artistic views: Art exists in life, where art can be “by any means” demonstrated. As a cultural revolution, post-modernism poses to be radical in terms of anti-culture and causes past things to be felt weary. Accordingly, “anti-art”, as a view of post-modern art, opposes the traditional concept that art is the spiritual product independent of life. Hence, the views on art involved in post-modernism appear much revolutionary. This thesis probes into the social and cultural background when post-modern art was originated, its characteristics and evolutive structure. Furthermore, on