论曹禺戏剧艺术风格-毕业论文.docVIP

论曹禺戏剧的艺术风格 A study on Cao Yus artistic style 摘要 曹禺是中国现代话剧史上不可多得的一位剧作家 ,他早期的剧作无论是《雷 雨》、《日出》还是《原野》、《北京人》等都成功地展现了一个艺术家敏锐的艺术 觉察力和不羁的创造力，这是难能可贵的，它们当之无愧地称得上中国话剧的精 品，至今仍备受瞩目。也正因为可贵同时也显现出了它的脆弱，曹禺的创作高峰 并不长久，这是令人遗憾的，这其中的种种因由也是值得我们深思和研究的。 虽然对曹禺话剧艺术风格研究的文章很多很多，我还是想做一点尝试性的研 究和努力，谈一下我自己的看法和感受。 绪论部分则对以往的关于曹禺话剧艺术风格的文章做一个大致的梳理，分析 其中的得与失，继而切入本论文研究的目的、意义和预期效果。 第一章则从剧作者和外在之间的关系：如曹禺与他家庭的关系、曹禺与新文 化运动的关系等探讨了他话剧格调形成的原因，并通过文本分析如意向的具化、 撕扯不断的冲突和无辜的死亡等方面对话剧的格调做了简单地分析和阐释。 第二章则对曹禺话剧创作的思想渊源做了简单的解读和大胆的猜测，对他人 道主义和个人主义的自发性即不自觉性特点做了一些推断性的证明，由此得出了 他的话剧中以怜悯为底色的一面。 第三章则主要结合文本中的具体人物，如周繁漪、陈白露、仇虎、花金子、 愫方，甚至是李石清等等，谈及曹禺话剧中的反抗，论述曹禺话剧特有的悲剧意 识和悲剧精神，并进而对曹禺的思想流变做了简单地分析。 结语部分则对前三章的艺术风格的分析做一个简单的总结，并进而探讨曹禺 艺术风格的独特作用和地位，以及内在的不足和缺失。 关键词：曹禺，阴森，怜悯，反抗，自发 I 论曹禺戏剧的艺术风格 A study on Cao Yus artistic style Abstract Cao Yu is an exceptional playwright in the history of modern Chinese drama. His early works, like Thunderstorm, Sunrise, The Wilderness and Peking Man, show his insight about art and his creativity. These works are rare and deserving praise. They are really perfections of Chinese drama and receive great attention. However, the peak of his career does not last long. It is regretful and it is worthy of pondering and researching. Although there are a lot of articles dealing with the style of Cao Yu’s plays, I still want to make attempts to study his plays and express my opinions and feelings. In the introduction, I sort out the previous studies about the style of Cao Yu’s plays. I evaluate them and then discuss the purpose, significance and the desired effect of my thesis. The first chapter will analyze and interpret the style of the plays by close reading the plays and studying relationship between Cao Yu and outside world, such as his relationship with his family and his relationship with New Culture Movement. Chapter two makes an interpretation on and takes a guess about the sources of his plays. I try to improve that humanism and individualism are the features of his works. His plays express his sympathy. Chapter