教育部人文領域人才培育国际交流计划.pptVIP

師資 Prof. Dr. Sergiusz Michalski 米赫斯基 學生報告摘要 學生報告摘要 學生報告摘要 Lydia Lin Jan Steen (1626-1679) and Dutch genre painting The feature of Jan Steen’s comic art and genre painting are that he often depicts the crowd in interior with mess, having the merry and delighted atmosphere. His genre paintings have got caught between an iconographic approach that seeks to secure meaning hidden behind the realist depiction. That is to say, Steen depicts the daily objects of people, and may have some implications on them. My question of Jan Steen is, besides the normal scene of everyday life, did he have tried to convey something on his painting? If he did, then what is the specific intention of him? Following seven pictures I would like to present may give some inspirations for us to him and his works.  Steen also painted historical paintings, and this may be the influence by Nicolaus Knupfer. The Dutch proverb “a Jan Steen household” which is originated in the eighteenth century and is ued today to refer to a home in disarray, full of rowdy children, connotes a household at once. Unlike the word “a Vermeer household”, they are the words to describe the usage of the interior. 十七世紀荷蘭與法蘭德斯的繪畫 Dutch and Flemish Painting in the 17th Century 計畫主持人：曾曬淑 執行單位：國立臺灣師範大學藝術史研究所 教育部人文領域人才培育國際交流計畫 計畫摘要 十七世紀荷蘭與法蘭德斯的繪畫 Dutch and Flemish Painting in the 17th Century 計畫目標： 十六世紀的宗教改革為西方藝術發展史開創嶄新的局面，其最顯著的結果為十七世紀荷蘭與法蘭德斯的繪畫上宗教主題銳減，風俗畫、靜物畫、風景畫興起，結合道德教化之寓意，逐漸取代日漸流失之宗教教義的訓誨，是西方藝術發展史上相當重要的一個轉捩點，也是在文藝復興之後北方藝術大放光彩之時，名家輩出，留下許多不朽之作，尤以Rembrandt (林布蘭)與Rubens（魯本斯）這兩位風格截然不同，各自代表巴洛克時期的荷蘭與法蘭德斯的藝術大師，為北方藝術展開另一新的局面，成為十七世紀藝術的表徵，也是藝術史研究上最重要的課題之一。臺師大藝術史研究所特邀以研究巴洛克藝術著稱的波蘭籍德國藝術史教授Prof. Dr. Sergiusz Michalski來臺教授「十七世紀荷蘭與法蘭德斯的繪畫」這門課程，藉此提供國內研究生與國際重要學者對話之機會，並充實國內西方藝術史之教學。 計畫內容： Michalski教授以Rembrandt與Rubens之藝術為主軸，講授十七世紀政治、宗教與文化之變革對尼德蘭南、北地區藝術發展之影響，針對十七世紀荷蘭與法蘭德斯繪畫之傳承與丕變、重要代表藝術家及其工作坊、藝術重鎮、藝術贊助、義大利巴洛克大師Caravaggio風格之影響，以及經常為人所忽略之次要藝術家等等問題進行深入講解，亦將深入分析此主題相關之新近研究走向，以圖像學為主的研究者與以寫實主義為主的研究者間之論戰等等。本密集課程為期六