《法国中尉的女人》(论文).docVIP

新疆大学毕业论文(设计) 题 目: 《法国中尉的女人》 电影改编研究 指导老师: 邹赞 学生姓名: 刘海燕 所属院系: 人文学院 专 业: 汉语言文学（文秘方向） 班 级: 汉文秘10-1班 完成日期: 2014年5月31日  声明 本人郑重声明： 所呈交的毕业论文，是本人在导师的指导下独立完成，除文中已经注明引用的内容外，本论文不含任何其他个人或集体已经发表或撰写过的作品成果。对本文的研究做出重要贡献的个人和集体，均已在文中以明确方式标明，本人对该文拥有自主知识产权，在撰写过程中没有抄袭、剽窃他人成果，由本文造成的一切知识产权纠纷均由本人负责。特此声明。 声明人： 年 月 日 《法国中尉的女人》电影改编研究 摘 要 《法国中尉的女人》是英国作家约翰·福尔斯的代表作，它被认为是后现代主义的先锋实验之作，小说经荒诞派戏剧家品特改编成电影搬上银幕，其“套中套”电影叙事颇具示范效应。本文从跨媒介改编的角度出发，分析《法国中尉的女人》从小说到电影的媒介转换以及小说和电影中呈现出的后现代主义特征。通过比较分析，了解小说和电影的各自特点，以期对当今文学的电影改编提供启发。 关键词:《法国中尉的女人》；电影改编；后现代主义；跨媒介转化 ABSTRACT The French lieutenants woman , a British writer John Falls’ masterpiece, is regarded as a pioneer of postmodernism experimental work, a novel by the dramatist of absurd Pinter adapted into a film to the screen, the sleeve film narrative a demonstration effect. In this paper, from the perspective of cross media adaptation, analysis of the French Lieutenants Woman to the media conversion film and presents the novel and the film characteristics of postmodernism from the novel.Through the comparative analysis, understand their respective characteristics of novels and movies, in order to provide inspiration for todays literary film adaptation. Key words: the French lieutenants woman ; adaptation; Postmodernism; cross- media transformation 目录 绪论·······································································p5 1《法国中尉的女人》：从小说到电影···········································p6 1.1主题上的继承及拓展·····················································p7 1.1.1 存在主义主题························································p7 1.1.2 婚外情道德审视的主题················································p9 1.2情节的改编····························································p11 1.3人物的重塑····························