钢琴小奏鸣曲论文中国钢琴小奏鸣曲研究.docVIP

钢琴小奏鸣曲论文：中国钢琴小奏鸣曲研究 【中文摘要】钢琴——西方乐器中的王者,在清朝中期传入我国。直至二十世纪初,随着中西方音乐文化的交流,我国的钢琴音乐才开始发展起来。此后,中国几代音乐家经历了近一个世纪的不懈努力,使钢琴这一西洋乐器在中国生根、发芽,并成为中国音乐艺术的一个重要组成部分。中国的钢琴小奏鸣曲是中国钢琴音乐中不可或缺的部分,经过几代作曲家近70年的创作,已经取得了一定的成绩。但是,从目前来看,中国钢琴小奏鸣曲不管在创作还是研究中都没有得到应有的重视,难以形成一个独立的体系。因此,本文通过对中国钢琴小奏鸣曲的系统分析和经验总结,希望引起中国音乐创作界、教育界、评论界的关注,这对于包括钢琴小奏鸣曲在内的中国钢琴音乐创作、发展将起到积极的作用。本文拟在对现有中国钢琴小奏鸣曲的文献(谱例、音响)进行整理的基础上,借鉴相关研究成果,从其起源与发展、表现手段、艺术特征三个方面对中国钢琴小奏鸣曲展开研究。第一章：“钢琴小奏鸣曲的发展概况”,是对中、西钢琴小奏鸣曲的文献研究。先对西方钢琴小奏鸣曲的起源、发展、特点及代表作曲家进行概述,随后对中国钢琴小奏鸣曲的生成发展、代表曲目、风格特征、代表作曲家发展的脉络进行梳理。第二章：“中国钢琴小奏鸣曲的音乐表现手段”,该部分是本文的核心部分。从中国钢琴小奏鸣曲的旋律构成、曲式结构、调式调性、和声复调四个方面对中国钢琴小奏鸣曲进行技术分析,全面而深层次的对中国钢琴小奏鸣曲的各种音乐表现手法进行研究。第三章：“中国钢琴小奏鸣曲的艺术特征”,是本文的结论部分。从民族性、艺术性的角度对中国钢琴小奏鸣曲的艺术特征加以总结得出结论。最后在结语部分提炼研究结论,指出钢琴小奏鸣曲在发展过程中的优点与不足,并提出建设性的发展意见。 【英文摘要】Piano-the king of Western musical instruments, into China in the mid-Qing Dynasty. Until the early twentieth century, as cultural exchanges between Chinese and Western music, piano music in China began to develop. Since then, China has gone through several generations of musicians nearly a century of tireless efforts to make the piano the Western instruments in China, root, sprout, and become the art of Chinese music an important part. China, piano Sonatina piano music is an integral part of several generations of composers through the creation of nearly 70 years, has made some achievements, but from now, China’s piano sonata no matter small or study in the creative Have not been given due attention, it is difficult to form an independent system. Therefore, this small Chinese piano sonatas by systematic analysis and lessons learned, I hope to attract Chinese music, education, the concern of critics, which include the piano Sonatina for China, including the development of piano music will play a positive Boost.This paper on the existing literature of Chinese Piano Sonatina (spectrum cases, audio) on the basis of the order, drawing on related research, from its origin and development of means of expression, artistic features a small t