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Descriptive Focus as a Semiotic Marker in Festus Iyayi’s Violence.doc
Descriptive Focus as a Semiotic Marker in Festus Iyayi’s Violence
[a] Ph.D., Department of English and Literary Studies, University of Calabar, Nigeria.
* Corresponding author.
Received 16 October 2012; accepted 19 December 2012
Abstract
Descriptive Focus is a technique of rendering fiction whereby (mock) reality is constructed vividly and graphically through the descriptive power of portrayal. A erest that contribute significantly to the understanding of the theme of the works. Descriptive Focus or Focalization, therefore, not only yields stylistic meaning, vides a means of deciphering the ideational dimension of a text. In the novel, Violence, focalization on the squalour, destitution and pitiable conditions of the poor masses is so pictorially captured with typified visual, tactile, gustatory, olfactory, auditory and kinaesthetic images that we are tempted to regard the work as faction. Contrastively, Ifort wallow in want. This paper analyzes this text-forming strategy and reaches the conclusion that the descriptive focus itself is a semiotic marker or a code in developing the ideational content of the novel and in deciphering same by the audience. This evocative power of graphic description reinforces the themes in the novel.
Key words: Descriptive focus; Ideation; Semiotic marker; Typification
Godwin Oko Ushie, Eno Grace Nta (2012). Descriptive Focus as a Semiotic Marker in Festus Iyayi’s Violence. Studies in Literature and Language, 5(3), -0. Available from: http:///index.php/sll/article/view/j.sll.1923156320120503.2129
DOI: http:///10.3968/j.sll.1923156320120503.2129
INTRODUCTION
One of the characteristics of language which a literary writer like Iyayi exploits in the creation of his reality (or mock reality) is displacement. This is the ability of a language to capture events or states removed from the audiences in time and space. Verisimilitude is used in this novel to aid in the creation of mock reality. Verisimilitude is
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