全国公共英语三级(pets3)考试复习资料.docVIP

全国公共英语三级（pets3）考试复习资料 Recently in the Scottish Highlands,260theatergoers were led up a well-lit, pin-tree-lined con- crete path. Theirdestination? A vacant water plant. The large concrete space had the impersonalfeel of an army camp--exactly the atmosphere the producers of Black Watch hopedto reproduce. The play is based on the true story of a Highlands troop sentoverseas in 2004.　　Essentially, site-specific theater refers toplays produced in places directly relevant to their ac- tion. At the MuseumHotel in Wellington, New Zealand, audiences filed into room 217 to watch a taleabout the various personalities who had occupied the room over time. Ithink people are tired of the same old plays in the same confines of space,says Paul McLaughlin, who produced Hotel.Drama happens all aroundus--at the bus stop, in a supermarket--so we attempted to show how people caninteract with the space that surrounds them. 　　To be sure, on-scene productions presenttheir own set of challenges. Producers of Black Watch had to scout aroundLondon for a location for when the show comes to the British capital. But formany audience members, leaving the comfort of their theater seats makes for amore meaningful experience. A lot of site-specific work challenges theway you look and think, says Nick Kaye, adrama professor at theUniversity of Exeter.　　Site-specific shows can also satisfy thegrowing desire for individualized entertainment fueled by on-demand televisionand the Intemet. In Faust, which the London-based theater group Punch- drunkjust wrapped up, audience members got to pick what they wanted to see. Housedin an old five-story storehouse in east London, the play featured different settings.Audience members could choose to watch a scene and follow certain actors fromlocation to location. Felix Barrett, the direc- tor of Faust, says todaystheatergoers expect more than just the traditional audience-actor relation-ship. What I wanted to do was to create a piece where the audience cancarv