(排版)卸下时代的背负回归人性纠葛--评2012版《安娜卡列尼娜》.docVIP

卸下时代的背负，回归人性的纠葛 ——评2012版电影《安娜·卡列尼娜》的改编 新余学院文学与新闻传播学院 邓磊 【摘 要】 本文“自我” “本我” “超我” 翻拍经典文学作品是一件很难的事，因为经典往往很难被超越，改编英国经典名作《傲慢与偏见》在年轻导演中脱颖而出。必须承认，乔·怀特是个聪明的导演，他避开厚重的俄式叙事和俄国气韵这两座大山，剑走偏锋地把老故事拍出新意固然讨人欢喜玩了一场为形式而形式的把戏《安娜卡列尼娜》问世以来，对安娜悲剧产生源头的解读层出不穷……很大一部分原因在于她身上体现了俄罗斯文化中的悲剧性，将原著的社会性和批判性在最大程度上淡化，将人从时代背景中抽离出来，如果将剧中人物设置在19世纪的英国同样说得过去。不同时代有不同的文化，作家生活与时代之中，不能不深受时代气息的感染。作家的文学风格必然要渗入时代文化的因素，表现出时代性。用乔·怀特的话来归纳就是：“每个人都能从这个故事中学习怎么去爱。”我喜欢电影和书里的那种暧昧的氛围……我总是试图捕捉人与人交流时的细节……我想人们交流真正是靠眼神和触摸”擅长的并不是对时代特色的展现，而是对人物情感纠缠的精准把控。在新版《安娜卡列尼娜》中，他用更现代的视角来看待这场史上最著名的出轨事件，这在对人物性格的改编上体现得比较明显。比如裘德洛饰演的卡列宁，他已不再是原著中没有活人情感的呆板形象，而是一个隐忍而理性的丈夫。在影片结尾他看着安娜的两个孩子，甚至流下了意味复杂的眼泪，这其实是现代西方典型的好父亲形象。 to implement the situation to be checked.Two, on behalf of workers should work hard to improve their own quality, on behalf of the legitimate interests of workers, and truthfully reflect the opinions and demands of the masses of workers, law-abiding model good books work.Three, on behalf of the staff and workers to exercise democratic rights, any organization and individual shall not suppress obstruction and strike retaliation.The fourth chapter organization systemThe thirteenth generation of workers congress delegation chairman presided over the meeting discussion, the members of the presidium shall, operators, managers and technicians. Our company middle-level cadres, including workers, technical personnel, management staff should be more than half.The fourteenth section of the workers Congress held once a year at least for each meeting, there must be 33 points more than two staff representatives attend the seats. In case of major matters by the general manager, the labor union of the company more than 1/3 staff or staff representatives proposal may convene the meeting. The workers Congress elections held and resolutions must be approved by all workers represented by more tha