东西文化视觉中的杜拉斯..docVIP

东西文化视觉中的杜拉斯. 内容提要：玛格丽特·杜拉斯一生经历的不同文化背景使其创作具有更为丰富的和不断变化的内涵。作者的写作语言是法语，但在叙述其经历本身所处的环境、所接触的人物时所运用的词汇又勾画出一幅异国他乡的具有非法语文化特征的生活场景。当作为形式的语言难免要和叙述的内容发生冲突时，杜拉斯选择的是让语言这种形式去适应其叙述的内容，只有这样才能再现杜拉斯所经历的东方文化的真实风貌，也才能使杜拉斯所经历的爱与恨、痛苦与欢乐与它们周围的特殊环境相得益彰、互相融合，最终又重归于法语语言以及它后边所隐藏的法兰西文化。本文从东西方文化的视角对杜拉斯作品中所表现出的文化特征进行研究，揭示了杜拉斯从文化悬空、文化冲突到文化融合的艰难过程及其创作历程。 　　关键词：跨文化 杜拉斯 文化悬空 文化冲突 文化融合 nbsp; 　　Abstract: Margaret Duras’s works are enriched with abundant and ever-changing implications due to different cultural backgrounds she experienced in her life. Her works are written in French, but the words she used in narrating her environment and the characters depict alien life sceneswith non-French cultural characteristics. When language as a form conflicts with the narrating content, Duras chose to adapt the former to the latter. Only by doing so can she reproduce the true features of oriental culture she had experienced, can there exist integration and harmony between her love and hatred, her sufferings and joy on the one hand and their unique surroundings on the other, ultimately returning to the French language and the French culture hidden behind it. This thesis is a study of the cultural characteristics in Duras抯 works in the perspectives of oriental and occidental cultures. The present author intends to reveal the process of Duras?s literary creation and her difficult course from cultural suspension to cultural conflict and finally to cultural fusion. 　　Key words: cross-culture Duras cultural suspension cultural conflict cultural fusion Author: Hu Sishe is professor of Xi’anInternational Studies University(Xi’an 710128， China).His research interests are French literary and literary translation. 　　 　　 　　“人总是生活在文化中。从衣食住行等日常生活到各种社会活动和历史运动，都显示出明确无误的文化内涵”（李小娟 18）。玛格丽特·杜拉斯的一生经历了不同的文化背景，其构成是不同背景下的各式各样的日常生活和各种社会活动，所以从文化的角度来看，杜拉斯的创作具有更为丰富和不断变化的内涵，不要说其作品，就是其不同寻常的坎坷人生也会让读者泣哭不止，回味无穷。作为法国当代著名的女性作家已经是不容置疑的事实，说她是法兰西文化财富的一部分也完全合情合理，说她是多元文化的产物更是老生常谈。有一种令人吃惊的现象(我们暂且称之为杜拉斯现象)值得我们深思，同时即是对初读杜