2016《大學语文》期末考试新.docx

一、 单选题（题数：50，共?50.0?分）1《庄子·秋水》中所谓的“一曲之士”指的是（）一类的人。A、/exam/test/javascript:void(0); \t /exam/test/_blank道德低下B、/exam/test/javascript:void(0); \t /exam/test/_blank见识狭隘C、/exam/test/javascript:void(0); \t /exam/test/_blank容貌丑陋D、/exam/test/javascript:void(0); \t /exam/test/_blank地位低贱我的答案：B2按照对流行音乐声音政治的阶段划分，邓丽君属于（）。A、/exam/test/javascript:void(0); \t /exam/test/_blank反思国家主义的主体幻觉阶段B、/exam/test/javascript:void(0); \t /exam/test/_blank精英诗语阶段C、/exam/test/javascript:void(0); \t /exam/test/_blank消费主义社会的症候，即日常俗语阶段D、/exam/test/javascript:void(0); \t /exam/test/_blank全球化时段的狂欢，即杂鱼混搭的阶段我的答案：A3小品《主角和配角》反应了（）时期两种群体力量的博弈。A、/exam/test/javascript:void(0); \t /exam/test/_blank抗战B、/exam/test/javascript:void(0); \t /exam/test/_blank大跃进C、/exam/test/javascript:void(0); \t /exam/test/_blank改革开放D、/exam/test/javascript:void(0); \t /exam/test/_blank现代化建设我的答案：C4对王国维《蝶恋花“百尺朱楼临大道”》 结尾场景的突然转变，下列分析不正确的是（）。A、/exam/test/javascript:void(0); \t /exam/test/_blank它表达了一种突然的领悟和思想的升华B、/exam/test/javascript:void(0); \t /exam/test/_blank最后一句中出现的“又是”表达出一种“缘起缘灭”的意味C、/exam/test/javascript:void(0); \t /exam/test/_blank结尾的转变，写出了迷悟之间的难以言表，以惆怅结尾，意绪无穷。D、/exam/test/javascript:void(0); \t /exam/test/_blank突然的跳跃表达出作者思想境界转变后的豁然与轻快我的答案：D5古代诗词中常出现“慷慨”一词，与现代的用法相比，下列说法错误的是（）。A、/exam/test/javascript:void(0); \t /exam/test/_blank与现代的用法一致，表示大方之意B、/exam/test/javascript:void(0); \t /exam/test/_blank面临失意时的无奈C、/exam/test/javascript:void(0); \t /exam/test/_blank指有志不获成的内心情怀D、/exam/test/javascript:void(0); \t /exam/test/_blank壮士不得志于心的一种感慨我的答案：A6阐述学作为诗歌鉴赏的重要方法和思路，其关键是（）。A、/exam/test/javascript:void(0); \t /exam/test/_blank理解诗人造境的用意B、/exam/test/javascript:void(0); \t /exam/test/_blank要有历史的语境C、/exam/test/javascript:void(0); \t /exam/test/_blank关注“整体语境”D、/exam/test/javascript:void(0); \t /exam/test/_blank把握主体视角我的答案：C7《倾城之恋》中的“倾城”，实际上是（）。A、/exam/test/javascript:void(0); \t /exam/test/_blank指两个人之间身后的爱情B、/exam/test/javascript:void(0); \t /exam/test/_blank指两个人错综纠葛的感情C、/exam/test/javascript:void(0); \t /exam/test/_blank指白流苏和范柳原感情的肯定D、/exam/test/ja