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试论“妙在似与不似之间”的绘画方法 杉木桥中心小学 向 盼 摘要:二十世纪国画大师齐白石在中国画的创作之中，总结了前辈们的绘画经验所得出的绘画理论：妙在似与不似之间，太似为媚俗，不似为欺世。 《齐白石绘画精品选》，天津. 人民美术出版社，1991年出版，第73页。“妙在似与不似之间”这一句绘画语言是我国世世代代绘画家在创作的过程中所遵重的重要法则之一，也就是把现实主义与浪漫主义互相结合起来的重要创作方法。其中所讲的“似”，它不仅是外形的“像”，而又不仅仅是对客观对象的纯模仿，而且是一种审美的把握，是对客观对象的本质特征进行创造性的提炼与改造的结果。其中所讲的“不似”，并不是简简单单的说外形上的不相像，而是通过绘画者审美后认识到物象本质的美，然后经过加工提炼和升华之后以达到比原来的物象更高、更美、更真实的“似”，也便是摆脱了物象的假像和偶然性，所达到了形的超越。“似与不似”自然而然牵涉到“形”与“神”这一绘画的要点，中国画从古到今都是既讲究“形似”又是要讲究“神似”的，“形神兼备 《齐白石绘画精品选》，天津. 人民美术出版社，1991年出版，第73页。 关键词：齐白石；妙；似与不似；形神兼备；绘画方法。 In this paper 20th century Chinese painting master qi bailsi in traditional Chinese painting creation, summed up the predecessors of painting experience of painting theory: wonderful between like and dont like, too appeared to be vulgar, unlike QiShi. . [the qi baishi drawing selected high-quality goods, tianjin peoples fine arts publishing house, 1991, p. 73.] Wonderful between like and dont like this painting language is our country HuiHuaGu throughout your generations in the creative process as one of the important principles, namely the realism and romanticism combination of each important creation method. Speak as if, it is not only the appearance of like, and not just pure imitation of the objective object, and it is a kind of aesthetic, is the essential character of objective object to the result of the refining and modification of creativity. Which said no, said is not a simple shape not alike, but by painting the aesthetic recognize the object after the beauty of nature, and then after processing and refining and sublimation to reach the higher than the original object, more beautiful, more real as if, is also the and chance to get rid of the object, to form the transcendence. And not naturally involves the shape and god the point of a painting, Chinese painting soure are both pay attention to shape and want to pay attention to spirit likeness and xingshenjianbei is one of the features of Chinese painting. Key words: qi baishi; Wonderful; Lik