王洪涛-论二维动画制作流程的重要性.docVIP

目 录 摘要………………………………………………………………………………………………2 关键词……………………………………………………………………………………………2 绪论………………………………………………………………………………………………3 本论………………………………………………………………………………………………3 一、二维动画前期制作的重要性………………………………………………………………3 1.前期策划………………………………………………………………………………………3 2.剧本创作………………………………………………………………………………………3 3.造型设计………………………………………………………………………………………3 4.场景设计………………………………………………………………………………………3 二、二维动画中期制作的重要性………………………………………………………………4 1.设计稿阶段……………………………………………………………………………………4 2.原画阶段………………………………………………………………………………………4 3.修形阶段………………………………………………………………………………………5 4.中间画、动画阶段……………………………………………………………………………5 5.动检阶段………………………………………………………………………………………5 6.背景的绘制……………………………………………………………………………………5 三、二维动画后期制作的重要性………………………………………………………………6 1.剪辑、合成、特效阶段………………………………………………………………………6 2.录音、配音阶段………………………………………………………………………………7 结论………………………………………………………………………………………………7 参考文献…………………………………………………………………………………………8 【摘 要】传统二维动画制作在国内有辉煌的过去，其间中国上个世纪六七十年代制作的《三个和尚》、《大闹天宫》、《哪吒闹海》、《牧笛》等仍是国人值得骄傲和自豪的经典动画片。无论从故事情节、画面风格、音乐效果、人物造型各方面都具有传统的中国特色，成为国内外公认的国际化优秀动画片。在日美动画产业迅猛发展，并且得到广大观众认同和接受。国外的动画风格日渐侵蚀中国原创动画，迫使中国动画创作面临窘境。改革开放以来中国沿海一带主要从事动画加工片，很少有人关注国内动画的创作和发展。所以探寻中国动画的艺术创作与发展，成为摆在中国动画工作者面前迫在眉睫的问题。本文希望在动画的制作体系上健全完善的制作流程，借鉴吸收国外成功经验，保持民族特色的同时，使中国动画有更好的发展。 【Abstract】Traditional two-dimensional animation in the country has a glorious past, during which China sixties and seventies of last century the production of Three Monks, Monkey King, Conquers, reed pipe and other people are still worthwhile proud of classic cartoons. In terms of story, art style, sound effects, character modeling all aspects of traditional Chinese characteristics, a recognized international best foreign animation. In the rapid development of Japan and the U.S. animation industry, and has been recognized and accepted by the majority of the audience. Increasing erosion of the animation style of the foreign original movie in China, forcing the dilemma facing the Chinese animation. Coastal areas of China since reform and opening animation is mainly engaged in processing film, few peopl