The Mexican and Chicano in Hollywood films好莱坞电影中的墨西哥和墨西哥.pptVIP

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2017-03-09 发布于上海
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The Mexican and Chicano in Hollywood films好莱坞电影中的墨西哥和墨西哥.ppt

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The Mexican and Chicano in Hollywood films好莱坞电影中的墨西哥和墨西哥

The Mexican and Chicano in Hollywood films 1910s-1970s The Hollywood Formula, 1910s Hollywood monopolized film production Used assembly line methods of reproduction Invented “the formula”—good v. evil and hero v. villain, white v. black (brown) Ideological vision present: emphasis on individualism, material success, reductionism (issues reduced to black and white), promotion of superiority of WASPs and WASP womenhood. The First Mexican Depictions “Greaser films”—early films depicting Mexicans as villains, treacherous, untrustworthy, overly criminal and suspicious, Gay Caballleros and Gangsters 1930s Protests by Mexicans and Chicanos Mexican President Lazaro Cardenas and others protest the depictions of Mexicans Chicanos throughout the Southwest protest through newspapers, etc. One early example is the 1911 campaign by La Cronica, of Texas 1910s-1940s—The Gay Caballero Semi-Spanish, sometimes musical, sometimes charming and handsome Roles usually played by Cesar Romero, Duncan Renaldo and Gilbert Roland Slightly complex characters, distinct from greasers and redeemable 1930s-1940s—The Dark Ladies Usually depicted in dark dress, skin Erratic, illiterate, unpredictable, emotional, overtly sexual 1930s—Gangster Films Untrustworthy, ugly, oily, crude, overdressed and unromantic 1940s and the Good Neighbor Policy President Rooselvelt attempted to not offend Latin America in its films and emphasized good relations with Latin American nations to build a war coalition during World War II Disney films: the Three Caballeros, Treasure of the Sierra Madre 1950s—Social Problem Films The exposure of social, political and racial issues Often presented variations on roles and sometimes prominent female roles in films Lawless, The Ring, Salt of the Earth, Bordertown, Touch of Evil, One-Eyed Jacks 1940s and 1950s “message films” Consistent with the good neighbor policies Includes such films as Juarez (1939), Viva Zapata (1952), The Pearl (1949) , Giant (1956) Westerns appear also wit