Tis the Season(s Colby College在这个季节S寇比学院.pptVIP

* * * * * * * * * * * * * * * * * * * * ‘Tis the Season(s): Instrumental Music of the Baroque and Stories without Words Classical Music Concert #1: Instrumental music secondary, peripheral until 17th century #2: Cutting music free of dependence on words has far-reaching implications The Baroque Sonata A. Sonata Defined 1. Early Baroque (1600-1650) 2. Mid- and Late Baroque (ca. 1650 - ) B. Types of Sonata Functions Sonata da chiesa (church sonata) Performing Forces Solo Sonata Trio Sonata Sonata da camera (chamber sonata) sonata or canzona=any instrumental composition chamber music for 1-2 soloists + b.c. Stylized dances: Allemande, Courante, Sarabande, Gigue usually in binary form: ||: a :||: b :|| Non dance: often Slow/Fast/Slow/Fast Early sonata tied to vocal models The Baroque Sonata A. Sonata Defined 1. Early Baroque (1600-1650) 2. Mid- and Late Baroque (ca. 1650 - ) B. Types of Sonata Functions Sonata da chiesa (church sonata) Performing Forces Solo Sonata Trio Sonata Sonata da camera (chamber sonata) sonata or canzona=any instrumental composition chamber music for 1-2 soloists + b.c. Stylized dances: Allemande, Courante, Sarabande, Gigue usually in binary form: ||: a :||: b :|| Non dance: often Slow/Fast/Slow/Fast Early sonata tied to vocal models First Major Composer of Sonatas: Arcangelo Corelli 1. Use of modern functional harmony: 2. Extensive use of sequences: II. The Baroque Concerto A. Origins (mid-Baroque) Concerto also based on: Contrast of Performing Forces concertato style: (soloist(s) = concertino Basso continuo Rip. Concertino Rip. Concertino vs. ripieno (or tutti) based on contrast of performing forces II. The Baroque Concerto A. Origins B. Performing Forces D. The Contrast Principle C. Two Types of Baroque Concerto concertato style based on contrasts btw. performing forces Concertino (solo) vs. ripieno (or tutti) Solo Concerto Concerto grosso II. The Baroque Concerto A. Origins B. Performing Forces D. Th