Visual Arts 2012 Scholarship Printmaking exemplars2012年的奖学金printmaking复制视觉艺术.pptVIP

* Scholarship – 2013:Printmaking (93309) Examples of Candidate Work * OUTSTANDING SCHOLARSHIP This Outstanding Scholarship Print submission presents a pictorial feast, successfully utilising drawing as the primary means to construct both complex and interesting imagery. The selected topic is authentic and carts with it an inventive creation of subject matter, driven by an understanding of philosophy and spiritualism, ie. it goes beyond the personal and delves into a universal way of looking at the world (how the soul shapes the physical world). Ideas are imaginative and fascinating. Spatial elements reference urban decay, landscapes echo the overgrown world. Metamorphosis of creatures intertwines with fictitious landscapes moving away from the real world into a spiritual one. Settings are carefully considered and various creatures occupy a forest landscape with an aquatic environment aesthetic. Strong use of line is used to create tension and movement between the hostility of spirits. All of these ideas (strategies) offer lateral direction supported by original drawing. The initial proposition is multi-faceted and open ended. There is clear conceptual direction with the ideas; concepts such as growth, loneliness and scale are interweaved throughout to effectively communicate the narrative. This submission pays homage to traditional models and techniques with a contemporary eye, ie. a very formal pictorial exploration underpins the manifesto nature of the study. The candidate references a realism at the beginning of the enquiry, which they have then used to transform and expose their vision. The drawing is highly inventive and honest, and promises an ongoing journey through its conviction and commitment to the enquiry (technically and conceptually) - the candidate delivers beyond the folio and the workbook, demonstrated both by the sense of ownership and that each step positions a new point-of-view. Both the folio and workbook consistently unravel evidence, which i