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A Hilbert-Transformer Frequency Shifter for Audio
A Hilbert-Transformer Frequency Shifter for Audio
Scott Wardle
The Joint E-Mu/Creative Technology Center
scottw@
Abstract
In contrast to conventional pitch-shifting effects which attempt to maintain harmonic relationships
in the signal, a frequency shifter translates all the component frequencies of the input signal by an
equal amount, disrupting the harmonic relationships and radically altering the sonic qualities of the
signal. Ring modulation is a generalization of double-sideband suppressed-carrier modulation, and
the frequency shifter is equivalent to a single-sideband modulator. Applications of the frequency
shifter include the creation of bizarre distortions, phaser, and rotating speaker effects. An
implementation is presented that is suitable for fixed-point digital hardware.
1 Introduction
Amplitude modulation effects have a long history of
application in electronic and amplified music.
Perhaps the most familiar of these is the tremelo
effect, which is built into many popular electric guitar
and keyboard amplifiers. Tremolo effects typically
have sub-sonic modulating waveforms. If the
frequency of the modulating waveform is within the
audible range, the effect becomes what is called Ring
Modulation, which has been used extensively by
experimental composers such as Stockhausen. With
the addition of a Hilbert Transformer, it is possible to
maintain the original envelope of the signal, while
shifting all its component frequencies by an equal
amount.
2 Ring Modulation
The basic ring modulator multiplies two signals
together in the time domain. For input signal x(t) and
modulating waveform w(t), the output y(t) = x(t)w(t).
The envelope of the resulting signal is the product of
the envelopes of the two inputs. The name given to
this effect comes from the original implementation
which used a ring of diodes to effectively multiply
the input signal with a bipolar square wave[1]. The
operation of multiplication in the time domain
translates t
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