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Features for Audio and Music Classification
Features for Audio and Music Classification
Martin F. McKinney
Philips Research Laboratories
Prof. Holstlaan 4 (WY82)
5656 AA Eindhoven, The Netherlands
martin.mckinney@
Jeroen Breebaart
Philips Research Laboratories
Prof. Holstlaan 4 (WY82)
5656 AA Eindhoven, The Netherlands
jeroen.breebaart@
Abstract
Four audio feature sets are evaluated in their ability
to classify five general audio classes and seven pop-
ular music genres. The feature sets include low-level
signal properties, mel-frequency spectral coefficients,
and two new sets based on perceptual models of hear-
ing. The temporal behavior of the features is ana-
lyzed and parameterized and these parameters are in-
cluded as additional features. Using a standard Gaus-
sian framework for classification, results show that
the temporal behavior of features is important for both
music and audio classification. In addition, classifica-
tion is better, on average, if based on features from
models of auditory perception rather than on standard
features.
1 Introduction
Developments in Internet and broadcast technology enable
users to enjoy large amounts of multimedia content. With
this rapidly increasing amount of data, users require automatic
methods to filter, process and store incoming data. Some of
these functions will be aided by attached metadata, which pro-
vide information about the content. However, due to the fact
that metadata are not always provided, and because local pro-
cessing power has increased tremendously, interest in local au-
tomatic multimedia analysis has increased. A major challenge
in this field is the automatic classification of audio and mu-
sic (Wold et al., 1996; Spina Zue, 1997; Scheirer Slaney,
1997; Scheirer, 1998; Wang et al., 2000; Zhang Kuo, 2001;
Li et al., 2001; Tzanetakis Cook, 2002).
Most audio classification systems combine two processing
stages: feature extraction followed by classification. A vari-
ety of signal features have been used for this purpose, includ-
ing low-le
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