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诗艺1.一首诗应该是缄默可触摸的如同一枚圆果无声犹如拇指旁的旧徽章寂静宛如窗壁上被袖口磨光长满青苔的石头一首诗应该是无言如同鸟群的飞翔 2一首诗应该在时间中静止似月亮缓缓升起离去时,似月亮轻轻掠过夜影中的树枝离去时,似冬季树叶后的明月一遍遍于脑海中追忆一首诗应该在时间中静止好似月亮缓缓升起 3一首诗应该等同于而非真实空旷的长廊,一片枫叶勾勒出所有悲戚的历史低斜的青草,海上的两束光亮代表着爱情一首诗不应是表意而是其本质 Ars Poetica (1926) A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown -- A poem should be wordless As the flight of birds. * A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind -- A poem should be motionless in time As the moon climbs. * A poem should be equal to Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea -- A poem should not mean But be. 诗艺 一首诗应该默不出声但可以触摸得到 象一只浑圆的果实 它喑哑无声 象拇指抚摸那古老的圆雕文饰 它静悄悄的象那被衣襟磨损 长出了青苔的窗台石 一首诗应该缄默无语 象群鸟飞翔 一首诗应该在时间中凝然不动 象明月攀登天穹 象明月一个枝丫一个枝丫地 解放那被夜色缠住的树林 象明月遗忘残冬 一片记忆一片记忆地从心头离去 一首诗应该在时间中凝然不动 象明月攀登天穹 一首诗应该等同于 虚妄 对于一切悲苦的历史 是一条宽阔的门道和一片槭树叶* 对于爱 是慰籍的绿草和海上的两盏明灯 一首诗不应该说明什么 而是为了存在 Notes Line 1—as well as lines 3, 5, and 7—focus on inarticulation: A poem should be . . . mute . . . dumb . . . silent . . . wordless. Here. MacLeish seems to be saying that a poem should not crassly粗鲁的 announce what it is about. Rather, like the smell of spices wafting飘送 from a restaurant, it should merely suggest. Use of globed rather than round enhances euphony谐音 while also suggesting largeness. Perhaps the object is a melon or grapefruit?柚子 Medallions are large medals. The adjective old suggests that the medallions have stories behind them—about war or athletic acco
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