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From The Banquet triggered by economic co-operation on the
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From ‘The Banquet’ triggered by economic co-operation on the
‘Through the ages a tragedy, a hundred years a drama’. Today, the director Feng Xiaogang’s annual drama ‘The Banquet’ is the country aggressively use as a semi-Road fans will naturally be a special trip to the cinema to see the faster. I read piece, in addition to audio-visual effects and cheered Fengdao of beautiful addition to the greatest soul lament is:
Sincere desire to face the killings as brutal as The Banquet!
Simply put, Banquet tells a story about desire. But by no means a simple passion of the opera in the past simple: love of the desire of the right to desire revenge intertwined with the wishes ... Coupled with the role of helping and mutual interaction between the frame-up, making the story come and go, exciting.
Watched kung fu Feng directors ‘triad’, look at Feng Xiaogang’s ‘The Banquet’, the biggest feeling is that today’s directors are increasingly sincere, will not fool the audience does not want to fool the audience, dare to face the contradiction between the play and let the real , and even cruel development.
In short, the ‘triad’ Ye Hao, ‘The Banquet’ worth mentioning at all about a particular social context of economic collaboration. ‘Big rivers and lakes, the chatter is all business ... ...’ Simon Yam in the ‘underworld’ in the sentence looks like an easy lines has revealed the economic co-operation of the complex and heavy. Therefore, the two films gave me the inspiration level of economic cooperation, with Ge You in the ‘A World Without Thieves’ most direct interpretation of the famous: the people scattered, the team brought bad. To do in the arts, from ‘The Banquet’ is seen in China’s heavy and elegant charm, and I, as a marketing person, the greatest feeling is: As society changes, driven by the interests, business collaboration is now difficult to rapidly Upgrade ... ...
Let us from ‘The Banquet’ start, from the desire to talk about, analyze
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