Drama Review At Secret’s End American Hmong A Memoir Play.docVIP

Drama Review At Secret’s End American Hmong A Memoir Play.doc

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Drama Review At Secret’s End American Hmong A Memoir Play

Drama Review: At Secret’s End: American Hmong: A Memoir Play by Louisa Schein, Hmong Studies Journal, 13.1(2012): 1-7. At Secret’s End Review of American Hmong: A Memoir Play --a solo stage performance by Teng Yang Reviewed By Louisa Schein, Ph.D. Associate Professor, Rutgers University Hmong Studies Journal Volume 13(1), 7 Pages At the modest Rites and Reason black box theater at Brown University in Providence, Rhode Island, I had the privilege of watching – indeed being caught up in – an extraordinary one-man show, American Hmong, staged by Teng Yang of Milwaukee as he graduated with a Bachelors degree in Ethnic Studies. The performance was a tour de force, as Mr. Yang deftly played a disparate collection of characters, including both his father and his mother, himself at various ages, as well as Tou Ger Xiong and Fong Lee in the notorious police shooting scandal. The script used a multimedia pastiche approach, cobbling together Yang’s self-authored script with video footage, audio recordings, press releases and a sampling of musics. Every aspect of the show was produced by Yang, from the written script to staging and choreography, to sound and lighting, to costume and make-up, to the raw, honest acting drawn straight from the core of his being. Not only did Yang perform in many roles, deftly changing costumes right on stage with strategic blackouts, oscillating seamlessly between Hmong and English, but he danced, sang both kwv txhiaj and a soulful Hmong lullabye, and told Hmong folktales in the voice of an experienced elder. The result was a stunning fusion of artistic soul with professionalism that kept the audience on the emotional edge of their seats for well over 1 Drama Review: At Secret’s End: American Hmong: A Memoir Play by Louisa Schein, Hmong Studies Journal, 13.1(2012): 1-7. an hour. We laughed, cried, got the chills, and were called out of ourselves into the acute feeling tones of a dispersed people in their transitional generations. Brown

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