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Drama Review At Secret’s End American Hmong A Memoir Play
Drama Review: At Secret’s End: American Hmong: A Memoir Play by Louisa Schein, Hmong Studies Journal, 13.1(2012): 1-7.
At Secret’s End
Review of American Hmong: A Memoir Play
--a solo stage performance by Teng Yang
Reviewed By
Louisa Schein, Ph.D.
Associate Professor, Rutgers University
Hmong Studies Journal
Volume 13(1), 7 Pages
At the modest Rites and Reason black box theater at Brown University in
Providence, Rhode Island, I had the privilege of watching – indeed being caught up in –
an extraordinary one-man show, American Hmong, staged by Teng Yang of Milwaukee
as he graduated with a Bachelors degree in Ethnic Studies. The performance was a tour
de force, as Mr. Yang deftly played a disparate collection of characters, including both
his father and his mother, himself at various ages, as well as Tou Ger Xiong and Fong
Lee in the notorious police shooting scandal. The script used a multimedia pastiche
approach, cobbling together Yang’s self-authored script with video footage, audio
recordings, press releases and a sampling of musics. Every aspect of the show was
produced by Yang, from the written script to staging and choreography, to sound and
lighting, to costume and make-up, to the raw, honest acting drawn straight from the core
of his being. Not only did Yang perform in many roles, deftly changing costumes right on
stage with strategic blackouts, oscillating seamlessly between Hmong and English, but he
danced, sang both kwv txhiaj and a soulful Hmong lullabye, and told Hmong folktales in
the voice of an experienced elder. The result was a stunning fusion of artistic soul with
professionalism that kept the audience on the emotional edge of their seats for well over
1
Drama Review: At Secret’s End: American Hmong: A Memoir Play by Louisa Schein, Hmong Studies Journal, 13.1(2012): 1-7.
an hour. We laughed, cried, got the chills, and were called out of ourselves into the acute
feeling tones of a dispersed people in their transitional generations.
Brown
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