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浅析柴可夫斯基《光天白昼》风格特征及演唱特点
上海师范大学硕士学位论文 目录
目 录
摘要 ·······························································I
Abstract ···························································II
目录······························································III
绪 论 ·····························································1
第1章 柴可夫斯基生平及艺术歌曲创作 ·······························2
1.1柴可夫斯基生平概述 ··············································2
1.2柴可夫斯基艺术歌曲创作 ··········································2
1.2.1 艺术歌曲与情感的结合··································2
1.2.2 艺术歌曲与诗歌的结合··································3
第2章柴可夫斯基艺术歌曲《光天白昼》解析···························4
2.1歌曲背景 ··················································5
2.2歌曲结构与伴奏特征 ········································5
第3章 柴可夫斯基艺术歌曲《光天白昼》风格特征及演唱难点 ············11
3.1柴可夫斯基艺术歌曲《光天白昼》风格特征 ···················· 11
3.2 《光天白昼》演唱难点 ······································11
3.2.1 歌曲结构特点的把握 ····································11
3.2.2 速度与力度的运用 ······································12
3.2.3 情感的控制 ···········································12
3.2.4 钢琴伴奏的作用 ······································12
第4章 演唱后的心得体会 ···········································14
结论······························································15
参考文献 ··························································16
附录A ···························································17
附录B ····························································18
致谢 ·····························································19
III
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上海师范大学硕士学位论文
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