心灵图景──多维绘画形式语法研究.pdfVIP

中国美术学院 油画系 成瑶 心灵图景——多维绘画形式语法研究 内容摘要：西方现代物理学和科技演进对时空之维科学的界定，不仅拓宽了人 类的视野及认识的发展，也拓展了心灵的深度。与此同时，西方绘画从表现物理 形态过渡到对心理感知的形态表现，形式语言在不断地革新中经历了由形式单纯 到多样混合形制的呈现，这些多样混合形制（多维形制）的出现显然归因于人文 环境。从传统上来看，东西方宇宙哲学观根源性的差异导致了西方厚重、二元对 立之“实”和东方轻灵中和之“虚”；然而在后现代文明进程的推进下，差异日 渐模糊，人们基本面临各式各样的生存境遇和心灵危机，却无法用单一的系统解 决自身的问题，从而诉诸于 “他者的力量”（不同源文化的优势）化解危机。本 文透过对近现代绘画形式语法个案的考察，一方面是对画面形式的分析梳理，并 揭示这些形式背后绘画语言表达的维度，另一方面证明对社会和个体的深入认知 在绘画实践中至关重要的作用。 关键词：多维绘画 心灵 虚无 形式 Abstract The evolution of modern Western physics and technology of ： space-time dimension of the definition of science,not only broadens the development of the human vision and understanding ,but also to expand the depth of the soul. At the same time, the performance of Western painting from the physical form of the transition to a form of psychological perception of the performance under the form of language has gone through constant innovation in the form of a simple shape to the diverse mixture of presentation, these assorted shapes (multi-dimensional shape) is clearly the appearance of attributed to human environment. From the traditional point of view, the universe and Western philosophy causes of difference that makes the West strong, dichotomy of real and the East Brisk and in the virtual; However, after the advance of modern civilization, the difference in blur people face the same basic living condition and spiritual crisis, can not use a single system to solve their own problems in order to resort to other forces (cultural advantages of different sources) to defuse the crisis. This form of modern painting through the syntax of case study, one is sort of form on the screen and reveals the expression of these forms of dimensions behind the painting, on the other hand proved to in-depth understanding of social and individual practice in painting a crucial