人文摄影的一些规律(国外英语资料).doc

人文摄影的一些规律 Some laws of human photography 1, the older, the uglier, the older, the happier. They can be anywhere. If its in a dilapidated house, its great, if its better in front of a fashionable building. 2, with the arrow of the roadside signs, signs can occupy the main position of the picture, the lens can be a little wider, it can make ordinary things produce so-called impact. It would be nice if someone walked by. If that person walks just in the opposite direction to the arrow, thank god. Where there is an elusive emotion at the head?. 3, bicycles, where it is best to open some, can not have too many cars, one is enough, and very lonely. If the car is worn out and the paint off, its pretty. 4, mail, and bicycle it is not the same, it is best for those who have many years of the old house in front of the box, a stack with a layer, it is best to have one or two painted bright red or green paint, the mailbox was always the name of the people. 5, from the viaduct on the down beat crossroads, the screen should be zebra, the best is the moment that all the cars are stopped, the weather can not be too good, just a little darker atmosphere, if there is a pedestrian or bicycle into a red light, that is the perfect composition. 6 long, narrow alley, alley mouth from inside the film, yes, but not surprising. Its better to squat in the alley and shoot outside, but you have to wait until a pedestrian or a bicycle passes through the alley. Thats great. 7, all the old houses, broken houses, demolished half of the house, the wall is best to have a few painted circle demolition word. It would be better if the new buildings are being built behind the houses, which can be compared with the old ones. If there is another old man with a sense of historical responsibility, he will walk along with a worried face. 8, compared with the old and new, the modern girl and the old woman contrast, the foreigner and the Chinese contrast, the tradition and the fashion contrast, the rich person