论样板戏的角色等级与仇恨视角(上)(国外英语资料).docVIP

论样板戏的角色等级与仇恨视角(上) One Revolutionary model opera is a literary and artistic freak produced during the cultural revolution. As the political needs of the model drama has come to an end, but as the drama itself model opera is not dead. Mr Ba Jin heard the singing operas do nightmare after the cultural revolution, visible operas had reached a deterrent effect on how the monsters and freaks of all descriptions. But by 90s, with the war as the background of several operas such as tiger Shajiabang, once the red classics appear on the stage, enjoy the interpretation of the model operas of the class struggle has no utilitarian, but with a poetic one of past patriotic hero. In other literary works, such as the films directed by Zhang Jianya, the fragments of model operas become the object of parody or irony. Thus, in todays value pluralism historical context, the interpretation of model operas has quite a variety of interpretation space. But it is still active in the US in the collective memory of the model operas on expression of the characters and settings of emotion has repeatedly stuck in model opera as a tool for literary interpretation is on the level of conspirators, rather than further questioning, why would the expression image design and the narrative mode of emotion model opera has become a typical tool art? Many people think that the model operas of the failure lies in the class struggle as the main clue, but we should pay attention to: tiger azalea mountain Shajiabang the war as the background of the repertoire, taking class struggle as the main narrative and its artistic quality can not be reduced because of the different interests of the inevitable reason. In essence these war is of the class group cannot coordinate in the narrative of class struggle thick and heavy in colours can also be created with high artistic value of literary works. The success of model operas is not write any class struggle, but how to write the class struggle, azalea mountain class str