纪实与观念的双重演进——景观摄影研究.pdfVIP

万方数据 摘要 摘要 本文是把近些年来在中国当代摄影领域中出现的景观摄影，带入到世界摄影 史的坐标系中进行全面的历史性考察，也是围绕景观摄影的本质属性在理论上的 梳理与总结。 本文首先从景观摄影的历史演进入手，概括出不同历史时期，景观图像中所 承载的社会文化内涵，并揭示当代社会“景观”的本质。其次重点分析景观摄影 从记录到观念的美学发展过程，同时两者在当代摄影中显现融合的趋势并出现新 的美学转向。之后是本论文的重点部分，对景观摄影的视觉修辞进行系统分析， 并提出纪实与观念的互涉和政治与美学的互混是景观摄影的重要语境系统。最后 对景观摄影进行本土性考察，着重分析景观摄影在中国纪实摄影和观念摄影中所 扮演的双重身份，以及景观摄影外部的观念呈现与内部的精神所指。 本文认为：景观摄影秉承了后现代艺术的批判理念，改变了传统风景意向而 转向社会景观，同时在冷漠的无表情外观下包含着作者主体意识的觉醒，也掀起 了利用影像对抗现实的序幕，并在当代艺术中扮演着重要的角色。 关键词：景观摄影，观念，景观社会，风景摄影。 I 万方数据 ABSTRACT ABSTRACT This article is to put in the field of contemporary photography in China in recent years of spectacle photography, into the history of photography in the world coordinate system to conduct a comprehensive historical study, But also an essential element of surrounding spectacle photography in theory combing and summary. Firstly, starting from the historical evolution of landscape photography, Summarize the different historical periods, carried by the landscape image in social and cultural connotation，and reveals the essence of contemporary society landscape. Secondly analyzes landscape photography from the record to the concept of aesthetic development, at the same time both in contemporary photography show the trend of integration and the emergence of a new aesthetic turning. After is the key part of this paper, on Visual rhetoric system analysis of spectacle photography, And put forward the mutual involvement of documentary and concept, mutual mix of politics and aesthetics is