钢琴毕业论文 肖邦练习曲OP.25 NO.12.doc

本科毕业论文 如何演奏好练习曲—以肖邦练习曲OP.25 NO.12为例 How to play etudes—in the case of the Chopin Etude OP.25 NO.12 学 院（系）： 艺术与传媒学院 专 业： 音乐学（钢琴） 学 号： 学 生 姓 名： 入 学 年 度： 指 导 教 师： 完 成 日 期： 2015年5月20日 摘 要 弗雷得里克·肖邦是十九世纪上半叶欧洲浪漫主义著名的钢琴家和作曲家，是波兰音乐史上最重要的人物之一，被誉为“钢琴诗人”。他将一生创作精力都奉献给了钢琴事业，创作了许多钢琴作品，这些作品都是钢琴发展史上重要的佳作，无论对演奏者还是研究者来讲，都是其艺术发展道路上汲取养料的重要财富。文中以他二十四首练习曲中的一首——OP.25 NO.12《c小调练习曲》即“大海练习曲”作为研究对象，探索了此曲的写作背景和研究意义，并对乐曲的曲式特点进行分析。在曲子的演奏重点方面，论述了演奏中对双手琶音的处理和如何准确掌控旋律音的问题；在对同音反复等技巧的论述中，将怎样达到音断意连的最佳效果及如何最好的运用踏板的问题进行了深入的研究。在练习方法方面提出了循序渐进，提高双手琶音的准确性和查缺补漏，完善演奏的整体性等方法。最后在对演奏版本的选择方面提出了良好的建议。通过以上分析和论述，力争达到在更加深入、准确地理解作品的同时，为这首练习曲以后的演奏起到指导性作用，同时对弹好肖邦的其它练习曲起到借鉴和推动作用。 关键词：练习曲；手指；技巧 How to play etudes—in the case of the Chopin Etude OP.25 NO.12 Abstract As one of the leading roles in the music history of Poland and celebrated European romanticism pianist and composer in the half of the 19th century, Frederic Chopin, the?“Piano Poet”, devoted his lifetime effort to the piano career and contributed numerous piano works, which are all masterpieces in the development of piano that can contribute a lot to both the player and researcher in art cause. This paper takes OP.25?NO.12 “c-sharp minor etude”-the Sea Etudes-one of the 24 etudes as research object, explores its composing background and research meaning and analyzes its buckling features. For the key point of playing, handle and accurate mastering on canto of two-hand arpeggios in playing are discussed; for skills like homophones repeat, how to achieve best effect of “Sound off while means even” and the best use the pedal are analyzed in-depth. As to practice method, ways like step by step, improvement of two-hand arpeggios accuracy, make up for deficiency band improved integrity of play were raised. At last, good suggestions are provided for the selection of playing versions. By way of above analysis and discussion, this paper can