论写实油画在国的流变.pdfVIP

南京艺术学院 硕士学位论文 论写实油画在中国的流变 姓名：王月 申请学位级别：硕士 专业：美术学 指导教师：陈世宁 2011-05-22 摘 要 纵观写实油画在中国的百年变迁，从刚开始顺应“西学东渐”而被引进，到五十年代 至七十年代末作为为工农兵服务的艺术载体，再到八五新潮后写实油画呈现多元的新气象， 写实油画在中国不断呈现出新的面貌。尽管每个时代写实画家们都较难摆脱时代所带来的 局限性，但是一代又一代的写实油画家仍然矢志不渝地推进着写实油画的发展，使写实油 画在中国不断发扬光大且日趋成熟。随着多元文化时期的到来，写实画家们将以更新的视 角审视着写实油画，以更新的理念充实着写实油画，以更多元的技法表现着写实油画。 关键词：写实油画 流变 范畴 面貌和特点 I Abstract Throughout the century oil painting in China changes, from the beginning to respond, Western Learning and was introduced to the late fifties and the seventies as a carrier service for the workers, peasants, to the Eight Five-Year fashion show after the diversified oil painting The new atmosphere, realistic oil painting in China continue to show a new look. Although the realist painters in every age are more difficult to bring out the limitations of the times, but generation after generation of realist painters still vowed to advance the development of realistic painting, realistic oil painting in China continue to flourish and mature. With the advent of multi-cultural era, realist painters were not willing to withdraw from the historical trend. But to update the View of realism oil paintings, using the updated concept of substantial oil painting, a performance for a number of techniques realistic oil paintings. Keywords ：Oilpainting Enchange Category Appearance and characteristics II 南京艺术学院研究生学位论文独创性声明和使用授权书 独 创 性 声 明 本人声明所呈交的学位论文是本人在导师指导下进行研究工作取得的研究 成果。本人声明：除了文中特别加以标注和致谢的地方外，论文中不包含其他 人已经发表的或撰写过研究成果，也不包含其他人为获得南京艺术学院或其他 教