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- 约8.53千字
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- 2017-07-29 发布于北京
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点评2015国产好电影
A roundup of the years best domestic films will set you on a collision course with those with different tastes and yardsticks.
深知因为每个人的品味不同,衡量标准也存在差异,所以如果你想对国内的年度“最佳”电影进行盘点,就一定会引发口水战。
This is especially true when the years best vary widely from the years best-selling. In other words, a cinephiles picks are bound to diverge from one who focuses on the bottom line.
又因为“年度最佳”与“年度最卖座”之间的严重错位,所以口水战更是难免了。换句话说,影迷的选择一定会与那些看重影片质量的人产生分歧。
So, here are some of the Chinese-language movies that I feel represent 2015s height of artistic achievement.
所以,接下来列举的是一些我认为可以代表2015年最高艺术成就的华语电影。Hou Hsiao-hsiens Assassin is the only one that made it into some prestigious international lists. Yet it was very polarizing on the domestic front. Its elliptical narrative left many audience members scratching their heads.
侯孝贤导演的《刺客聂隐娘》是唯一一部入围了多个知名国际奖项候选名单的国内影片。然而它在国内的口碑却呈现两极分化。它的过于隐晦的故事情节让很多观众觉得“烧脑”。
《刺客聂隐娘》海报
For me, it is ambitious but falls short of the standard of?Shanghai Flowers, an early work by the master with a similar stylistic approach. The dense plot distracts from the texture of the visuals, where the brilliance definitely lies.
在我看来,《刺客聂隐娘》虽然雄心勃勃,却不及侯孝贤用相似手法创作的早期作品《海上花》。它紧凑的情节淡化了人们对视觉效果的追求,这正是电影出色之处。
《海上花》剧照Jia Zhangkes?Mountains May Depart?is neatly divided into three time periods. The first two, set in 1999 and 2014, find him in familiar territory, but it is the last one, set in 2025 Australia, that is jaw-dropping in both positive and negative ways.
贾樟柯的《山河故人》恰好根据时间节点被分为三个部分。设定在1999和2014的部分,主人公还待在熟悉的故土,2025年的部分却跑到了澳大利亚。不论从正反哪个方面看,这个设定都令人瞠目结舌。
《山河故人》剧照The twist is audaciously conceived, but testifies to a fundamental lack of understanding of the Chinese diaspora, and the May-December relationship is shallow in its Freudian implication.
情节转折构思大胆,但也显示了对中国聚散观念的理解不够,以及对忘年恋在性心理层面的理解过于表面。The years most satisfying work belongs to?Deep in the Heart, the directorial debut of Xin Yukun. It was titledThe Coffin in the Mountain?when it first ran on the festival circuit in 2014.
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