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恋人絮语(Love letters)
恋人絮语(Love letters)
Roland barthes
* the translator - Roland barthes and his lovers talk (wang yaojin)
Rigorous academic authorities as France as the gods of so-called barca nong temple altar on your marks, the Great Wall, he is willing to step outside the temple corridor along the edge (he is) dance out, pick cold branch refused to habitat.
Few people have denied the fact that bart is another modern master in France, following Sartre. For many people, bart was first of all structuralist thinker, who looked at the cultural phenomenon in a structural way. It was he who brought semiotics to the forefront of French academia; He outlined a blueprint for structuralist literary science. In the eyes of others, bart is by no means a physical embodiment of the scientific spirit, but a personification of humanism that pursues pleasure. Reading for pleasure, the king of heaven, ignoring the rules of the law, I love how I read and read.
Bart was also hailed as an avant-garde of academia. When the French new novel representative and others in luos experimental novels by French literary criticism as who when he stood up, pull out pen, and asserts that only who reflected the ultimate goal of literature, because it to the readers expectation for the challenge. Thus, he devalued the readability work and promoted the writable text -- the reader had no idea how to read it, but only by imagination ( writing while reading).
He borrows from Nietzsches dramatization of the law, breaking away from the rigid constraints of the meta-language of the transcendental. The narrative becomes a direct demonstration, and the prose becomes real discourse.
The structure of the flocs is intended to be the structure of the anti-love story. In barts opinion, the perception and the burning of the words are ultimately fragmented and disconnected. It was the turbulent flow of language in the heart of a lover (as the poet Yeats caught a glimpse of an eternal harmony in the whirling dance of the poet). Like
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