古典美学与现代意识(Classical aesthetics and modern consciousness).docVIP

古典美学与现代意识(Classical aesthetics and modern consciousness).doc

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古典美学与现代意识(Classical aesthetics and modern consciousness)

古典美学与现代意识(Classical aesthetics and modern consciousness) Classical aesthetics and modern consciousness Moderator: welcome to the century auditorium, here is the feast of thought, here is academic hall.. Mention of the famous writer Bai Xianyongs name, you may first think of is his novel as evil and lonely seventeen, and Taipei, New York guest, this is our very familiar works. But recently the once lived in the US for more than 40 years, all the year round by a Chinese American influence of the western cultures name, but a very traditional and very old Chinese opera opera -- together. At present, Mr. Bai Xianyong is taking his youth edition Peony Pavilion around the campus of Chinese universities, and today our lecture hall is also very honored to invite Mr. Bai Xianyong to give us a speech. Welcome, Mr. white. Mr. Bai Xianyong is the senior generals of the son of Bai Chongxi, which has experienced the historical rise and fall of the world, the memory of childhood, youth vagrant life for him after the creation of the accumulation of heavy material, Chinese classical novels and 54 new literary works drenched him one of the famous contemporary writer, and lonely seventeen, Taipei, New York guest, evil as he lay in the status of the literary Chinese. Bai Xianyong, a well known name, has been swept back to the three places in recent years because of its meeting with Chinese traditional culture Kunqu opera. The old version of Peony Pavilion is a classical combination of classical aesthetics and modern consciousness. He said Kunqu opera was a treasure of his life, and he wanted to make the world see the most beautiful art in China. He would like to be a lifelong volunteer for the dissemination of Chinese culture. Mr. Bai, I know you lived in the mainland for quite a while when you were a child. Do you still remember when you were a child? Bai Xianyong: I remember it very well. I am six years old from Guilin, then separated by about more than 40 years, and then returned to

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